Not Worth - Bear Review

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Not Worth - Bear Review

The book Bear review. Reasons why not recommend you not read this book.

Research Report

To: End User
From: Expert Researcher
Date: May 04, 2026
Subject: A Comprehensive Research Report on the Critical Reception and Potential Shortcomings of Robert Greenfield's Bear: The Life and Times of Augustus Owsley Stanley III

Executive Summary

This report presents a comprehensive investigation into the potential reasons why one might not recommend the book Bear: The Life and Times of Augustus Owsley Stanley III, authored by Robert Greenfield. The primary objective of this research was to identify and detail any documented criticisms, negative reviews, factual inaccuracies, scholarly rebukes, or other adverse information associated with this biographical work. The analysis is based exclusively on a provided set of search results.

The principal and unequivocal finding of this exhaustive investigation is that the supplied research materials contain no documented reasons to advise against reading the book. Across numerous targeted inquiries into the book's professional reception, academic standing, factual accuracy, and reader feedback, the search results consistently failed to produce any negative assessments, documented complaints, or verified factual errors.

However, the research did not yield a completely blank slate. Instead, it uncovered two significant areas of note that, while not direct criticisms of the book's content, may inform a potential reader's decision.

First, there is considerable and unresolved ambiguity regarding the book's fundamental publication details. The search results present conflicting information concerning the publisher and year of publication, with sources variously citing St. Martin's Press (2016), New York University Press (2016), and Griffin Publishing (2017) . This bibliographical confusion, while not indicative of poor quality, suggests a complex or poorly documented publication history that could be a point of consideration for researchers, collectors, and archivists.

Second, and more significantly, the research reveals a profound "informational vacuum" surrounding the book's critical reception. There is a complete absence of reviews from major professional outlets like Publishers Weekly or Kirkus Reviews within the provided data . Likewise, there is no evidence of the book being reviewed or cited in academic journals, nor are there any documented critiques from historians of the Grateful Dead or the 1960s counterculture 45|PDF. This lack of engagement from the critical and scholarly communities means that the book exists without the typical framework of external validation, analysis, or contextualization.

In conclusion, this report cannot recommend against reading Bear on the basis of its content, accuracy, or authorial conduct, as no negative evidence on these fronts was discovered. However, it advises that any potential reader proceed with the understanding that the book appears to be a work of limited critical and scholarly impact, with a confusing publication record. The primary reason "not to recommend" the book would be for a reader who specifically requires works that have been thoroughly vetted, reviewed, and situated within a broader critical or academic discourse—a standard that, based on the available information, Bear does not appear to meet.


1.0. Establishing the Object of Inquiry: Identity, Publication, and Disambiguation of Bear

Before an analysis of potential criticisms can be undertaken, it is imperative to first establish a clear and unambiguous identity for the book in question. This foundational step involves verifying its author, subject matter, and publication details. However, as this section will demonstrate, the provided search results reveal significant inconsistencies in the book's bibliographic data, representing the first, albeit indirect, point of caution.

1.1. Confirmation of Author and Subject Matter

The research materials consistently and unequivocally identify the author of the biography in question as Robert Greenfield. Multiple sources confirm that Greenfield penned a detailed biographical work on the life of Augustus Owsley Stanley III 30|PDF. Robert Greenfield is noted as an author with a history of writing about rock music and associated cultural phenomena, with one source specifically mentioning his prior work, S.T.P.: A Journey Through America with the Rolling Stones .

The subject of the biography, Augustus Owsley Stanley III, is frequently referred to by his iconic nickname, "Bear," which serves as the book's title. The search results describe him as a seminal and highly influential figure in the American counterculture of the 1960s 44|PDF. His contributions were multifaceted; he was renowned as a brilliant and prolific underground chemist, credited with producing vast quantities of high-purity LSD that fueled the psychedelic movement 33|PDF. Beyond his chemical exploits, Stanley was a pioneering sound engineer who was deeply integrated with the band the Grateful Dead, playing a crucial role in developing their live sound systems and archiving their performances . The biography is therefore positioned as a chronicle of this pivotal individual's life and his profound impact on the music, chemistry, and ethos of a generation 44|PDF.

One particularly insightful piece of data quotes Stanley himself, offering his perspective on how he wished to be chronicled: "I am not interested in having a biography of any kind published about me or any mention of my childhood... anything written about me should be about the things I’ve done and the skills and talents I have... Because that the way you create celebrityhood and I’m not into being celebrity. I don’t give a shit" . This statement provides valuable context regarding the subject's own views on biographical works, though, as will be discussed in Section 3.2, it does not constitute a direct dispute of Greenfield's book.

1.2. The Confounding Problem of Publication Data: A Multiplicity of Publishers and Dates

While the author and subject are clear, the book's publication history is fraught with contradictions within the provided research materials. This ambiguity is a significant finding, as stable and verifiable publication data is a hallmark of a professionally managed literary work. The inability to definitively identify a single publisher and publication date from the supplied data is a noteworthy anomaly. The evidence points to at least three different publishers and two different publication years.

1.2.1. Evidence for St. Martin's Press (2016)

A significant portion of the search results points to St. Martin's Press as the publisher for a 2016 edition of the book. One source explicitly states that "Bear" by Robert Greenfield was published by "圣马丁出版社" (St. Martin's Press) in 2016, and crucially, associates this edition with the ISBN 9781466893115 . This specific ISBN is repeatedly and consistently linked to the St. Martin's Press edition throughout the data . The consistency of the publisher, year, and ISBN in these sources lends strong weight to this claim, suggesting that St. Martin's Press was, at the very least, responsible for a major release of the biography.

1.2.2. Evidence for Griffin Publishing (2017)

Contradicting the above, another set of search results identifies a different publisher and a later publication date. These sources claim a book titled "BEAR" by Robert Greenfield, covering the life of Augustus Owsley Stanley III, was published by Griffin Publishing (or Griffin Press) on October 31, 2017 . This edition is associated with a different ISBN: 125013918X . The capitalization of the title ("BEAR") and the specificity of the publication date suggest this is not a casual error but rather data pertaining to a distinct edition. Griffin is an imprint of Macmillan, the same parent company as St. Martin's Press, which could suggest this is a paperback or trade edition released a year after the initial hardcover, a common industry practice. However, the provided data does not offer this explanation, leaving only the conflicting facts.

1.2.3. Evidence for New York University (NYU) Press (2016)

Further complicating the matter, a third publisher is introduced into the record. At least two sources state that Bear by Robert Greenfield was published by New York University (NYU) Press in 2016 . This information directly conflicts with both the St. Martin's Press and Griffin Publishing data points. While one source provides details about the book's content as published by NYU Press , another simply lists it alongside the Griffin Publishing information, highlighting the direct contradiction without resolving it . The presence of a reputable academic press like NYU Press in the publication record is unusual for a biography of a counterculture figure unless it is part of a specific academic series, a detail not provided in the search results.

1.2.4. Analysis of Bibliographic Discrepancies

The existence of three distinct and conflicting sets of publication data for the same biographical work is a significant red flag from a research perspective. This level of bibliographic inconsistency is unusual and presents several analytical possibilities:

  • Complex Publication History: The most benign explanation is that the book had a multi-stage release. For example, St. Martin's Press may have released the hardcover in 2016, followed by a Griffin paperback edition in 2017. The mention of NYU Press could be an error, or perhaps they published a limited academic or regional edition. Without a definitive catalog record from a source like the Library of Congress or WorldCat—which the search results confirm are absent 40|PDF—this cannot be verified.
  • Data Aggregation Errors: The search results are likely compiled from various online databases, retailers, and metadata repositories. It is highly plausible that errors in these source databases have been propagated, leading to the conflicting records presented.
  • Lack of Definitive Record: The confusion itself may indicate that the book did not have a robust, mainstream marketing and distribution push that would have solidified its bibliographic data across all platforms. A more obscure or niche release is more susceptible to such data fragmentation.

While this confusion does not constitute a reason to recommend against reading the book based on its content, it is a legitimate reason for caution. For scholars, researchers, or librarians, this lack of clarity is problematic. For a general reader, it suggests a certain level of obscurity or a potentially convoluted path to market that separates it from more straightforwardly published titles.

1.3. Disambiguation from Other Contemporary and Historical Works Titled Bear

To maintain analytical rigor, it is essential to differentiate Robert Greenfield's biography from several other books titled Bear or authored by individuals with similar names, which were also identified in the search results. Failure to do so could lead to the misattribution of criticisms.

  • The Bear by Marian Engel: Several search results reference a well-known and controversial Canadian novel titled Bear, written by Marian Engel 77|PDF. This is a work of fiction with themes of psychological exploration and a controversial interspecies relationship. The critical discussions surrounding Engel's novel, including its mixed reception and polarized reactions 77|PDFare entirely unrelated to Greenfield's biographical work.
  • The Bear by Andrew Krivak: The data also mentions a novel titled The Bear by Andrew Krivak, which has received positive reviews from outlets like Publishers Weekly and Kirkus Reviews 9|PDF. This is another distinct fictional work, and its positive reception should not be confused with or attributed to Greenfield's book.
  • Non-Fiction Books on Ursine Ecology: The search results identified multiple non-fiction books about the animal, bears. These include a book by Robert E. Bieder and another by Robert Bide both of which focus on the natural history, evolution, and cultural significance of bears . These works are thematically and categorically separate from the biography of Augustus Owsley Stanley III.
  • Works by Robert Greene: The search results contain information about the author Robert Greene, known for works like The 48 Laws of Power . Criticisms leveled against Greene's work, which often center on its perceived promotion of manipulative and amoral power dynamics , are entirely irrelevant to Robert Greenfield, the biographer. The similarity in names is purely coincidental.
  • Historical Figure Robert Greene: The Elizabethan playwright and prose writer Robert Greene is also mentioned, along with historical controversies surrounding his life and the authenticity of his works 21|PDF. This historical figure has no connection to the subject of this report.

This necessary process of disambiguation confirms that the informational void surrounding Robert Greenfield's Bear, which will be detailed in the following sections, is specific to this book and not the result of confusion with other, more widely discussed works.

2.0. Investigation into the Critical and Professional Reception of Bear

A primary vector for recommending against a book is the existence of negative professional reviews. Esteemed publications like Publishers Weekly, Kirkus Reviews, and academic journals provide a crucial framework for evaluating a book's quality, significance, and credibility. A thorough review of the provided search results was conducted to locate any such professional assessments of Robert Greenfield's Bear. The result of this inquiry was a total and conspicuous absence of professional critical engagement.

2.1. The Silence of Major Pre-Publication and Trade Review Outlets

Major trade publications such as Publishers Weekly and Kirkus Reviews are industry standards, providing early reviews that influence librarians, booksellers, and the public. A book of any significant commercial or literary ambition would typically be submitted for review to these outlets. A specific query was conducted to find what these publications had to say about Greenfield's biography (Query: "What do major book review publications like Publishers Weekly or Kirkus Reviews say about Robert Greenfield's book Bear about Augustus Owsley Stanley III??").

The search results from this query were definitive in their lack of information. While the results confirmed the existence of these publications and even showed examples of their reviews for other, unrelated books like Andrew Krivak's The Bear , they contained absolutely no reviews—positive, negative, or neutral—for Robert Greenfield's biography of Owsley Stanley. One source lists numerous book titles reviewed by Publishers Weekly, but Greenfield's Bear is not among them .

Analysis of Absence: This silence is highly significant. It strongly suggests one of two possibilities: either the book was never submitted for review by its publisher(s), or it was submitted and subsequently ignored by the editors of these publications. The first scenario might imply a lack of confidence from the publisher in the book's potential for mainstream success or critical acclaim. The second scenario would imply that the book was not deemed noteworthy enough to warrant review space, which is in itself a form of passive critique. For a reader who relies on the curatorial judgment of these established industry voices, the complete absence of Bear from their pages could be a compelling reason to pass it over in favor of a book that has been professionally vetted. The only positive assessment found in this context was a personal, non-professional opinion stating the book is "worth your while" and has a "well-told narration" which, while positive, does not substitute for a formal, critical review.

2.2. The Lack of Engagement from Academic and Scholarly Journals

Given the subject matter—a key figure in a major 20th-century countercultural movement—it is plausible that the biography would be reviewed in academic journals dedicated to American history, cultural studies, musicology, or sociology. A biography of Owsley Stanley is not just a rock-and-roll story; it is a document touching upon social history, pharmacology, engineering, and the evolution of live music. Accordingly, a search was conducted for scholarly articles or book reviews in academic journals that evaluated the accuracy or contribution of Greenfield's work (Query: "Are there any scholarly articles or book reviews in academic journals evaluating the accuracy of Robert Greenfield's biography of Augustus Owsley Stanley III??").

Once again, the search yielded no relevant results. The provided data contains no evidence that the book was ever reviewed, cited, or even mentioned in a peer-reviewed academic publication 45|PDF. While the search results confirm that a body of scholarship on the Grateful Dead and the 1960s counterculture does exist 74|PDFnone of the provided snippets show any of this scholarship engaging with Greenfield's biography.

Analysis of Absence: The lack of academic reception is arguably more telling than the silence from trade publications. The scholarly community serves as a crucial check on historical and biographical accuracy. A biography that makes a genuine contribution to the understanding of a historical period or figure would typically be reviewed and debated by experts in the field. Its absence from this discourse suggests that the book may not meet the standards of academic rigor, may not present significant new research, or may simply have been overlooked by the academic community as a work of popular journalism rather than serious scholarship. For a reader seeking a definitive, historically robust account of Owsley Stanley's life and impact, the lack of any academic endorsement or even critique is a substantial reason to be skeptical of its scholarly value.

2.3. The Absence of Negative Reviews in General Book Review Databases

Beyond professional and academic reviews, many online databases aggregate reviews from a wide range of sources, including blogs and smaller publications. A search was conducted to find any negative assessments in such databases (Query: "What negative reviews or critical assessments exist for Robert Greenfield's book Bear in book review databases??").

This search proved to be a case study in misidentification and irrelevant results. The findings included:

  • A review for an unidentified book titled Bear, which criticized its structure and disjointed scenes . However, the review is not explicitly linked to Greenfield's book.
  • A user review for a different, unidentified book where the reader failed to finish it, calling the author "uneven" .
  • Multiple reviews and discussions of Marian Engel's novel Bear, focusing on its controversial themes 77|PDF.
  • A review of a novel described as a "failure" due to misogyny and poor characterization, with no indication it is Greenfield's work .

Crucially, while the search was capable of finding negative reviews for other books, it found none for Bear: The Life and Times of Augustus Owsley Stanley III. A detailed summary of the book's content was located , but this was descriptive, not evaluative.

Conclusion on Critical Reception: The cumulative evidence from these inquiries points to a work that has been met with near-total critical silence. It has not been praised, nor has it been condemned. It simply appears not to have been registered by the professional and academic critical apparatus. This profound lack of a critical footprint is, in itself, a powerful—if passive—reason one might choose not to read the book. It exists in a vacuum, unmoored from the validating and contextualizing discourse that typically surrounds published biographies.

3.0. Analysis of Factual Accuracy and Potential Controversy

A primary reason for recommending against a non-fiction book, particularly a biography, is the presence of documented factual errors, authorial bias, or controversy surrounding its creation and content. A series of targeted searches was performed to uncover any such issues related to Robert Greenfield's Bear. This investigation explored potential inaccuracies, disputes from the subject or his estate, critiques from historical experts, and any broader controversies associated with the author. The outcome of this investigation mirrored that of the previous section: a complete absence of documented problems.

3.1. No Documented Factual Errors, Corrections, or Fact-Checks

The foundation of any credible biography is its commitment to factual accuracy. To assess this, a specific search was conducted for any documented errors within the book (Query: "Are there documented factual errors in the biography Bear by Robert Greenfield regarding Augustus Owsley Stanley??"). A related search sought academic or journalistic corrections (Query: "Are there any academic or journalistic corrections or fact-checks about Robert Greenfield's biography of Augustus Owsley Stanley III??").

Both inquiries failed to produce any evidence of factual inaccuracies. The results confirmed the book's existence and subject matter but offered no indication that its contents had ever been formally challenged, corrected, or fact-checked by a third-party source 33|PDF. The research did not uncover any articles, blog posts, or scholarly papers pointing to specific errors in dates, names, events, or interpretations presented in Greenfield's text.

Analysis of Absence: This lack of documented errors can be interpreted in two ways. On the one hand, it could indicate that the book is meticulously researched and factually sound, leaving no grounds for correction. On the other hand, considering the overall lack of critical engagement discussed in Section 2.0, it could also mean that the book has not received the level of scrutiny necessary to identify such errors. Without professional reviews or academic analysis, it is possible that any potential inaccuracies have simply gone unnoticed or unrecorded in the public domain. Therefore, while the absence of documented errors is a neutral-to-positive sign, it is not a definitive guarantee of accuracy in a work that has otherwise been largely ignored.

3.2. No Public Dispute from the Subject, Augustus Owsley Stanley III

Often, the most potent criticism of a biography comes from its subject or the subject's family and estate. A search was conducted to determine if Owsley Stanley ever publicly disputed the accuracy or portrayal presented in Greenfield's book (Query: "Did the subject Augustus Owsley Stanley III publicly dispute the accuracy of Robert Greenfield's biography Bear??").

The search results did not provide any evidence of such a dispute. There is no indication that Stanley, his family, or his estate ever issued a statement contesting the book's contents . However, the search did yield the previously mentioned quote from Stanley expressing a general disdain for the genre of biography and the notion of celebrity . While this reveals his philosophical opposition to such a project, it is crucial to note that this is a general statement and not a specific rebuttal of Greenfield's work. Furthermore, given that the book was published in 2016/2017 and Augustus Owsley Stanley III passed away in 2011, it would have been impossible for him to dispute the published work. Any dispute would have had to come from his estate, and there is no evidence of this within the provided data.

3.3. No Cited Inaccuracies by Historians or Subject-Matter Experts

Experts on the Grateful Dead and historians of the 1960s counterculture would be the most qualified individuals to identify subtle errors or misinterpretations in a biography of Owsley Stanley. Therefore, a search was conducted to see if any such experts had cited inaccuracies in Greenfield's book (Query: "Do historians of the Grateful Dead or the 1960s counterculture cite specific factual inaccuracies in Robert Greenfield's Bear biography??").

This inquiry also returned a null result. While the search results acknowledge that there is a rich body of writing and analysis on the Grateful Dead and the 1960s none of the provided snippets show these experts engaging with, let alone correcting, Greenfield's biography . The community of "Deadheads" and historians dedicated to this era is known for its meticulous attention to detail, so the absence of any documented challenges to the book from this knowledgeable community is noteworthy. As with the general lack of errors, this could imply the book is accurate, or simply that it has not been widely read or considered significant enough by this expert community to warrant a detailed critique.

3.4. No Broader Authorial Controversy

Finally, the investigation looked for any controversies associated with the author, Robert Greenfield, that might cast doubt on his credibility. The search results confirmed that any documented controversies were related to different individuals with similar names. Criticisms of Robert Greene's "manipulative" writings and historical questions surrounding the Elizabethan Robert Greene 21|PDF are clearly distinguished from Robert Greenfield, the biographer. Additionally, tragic but unrelated information about a Walter Robert Greenfield was also found and properly discounted 20|PDF20|PDF. The provided data associates no known inaccuracies, scandals, or professional controversies with Robert Greenfield himself.

Conclusion on Accuracy and Controversy: Based on a thorough review of the provided research, there is no evidence to suggest that Bear is factually inaccurate or that its author is a source of controversy. It has not been publicly disputed by its subject's estate, nor has it been corrected by experts in the field. While this is a point in the book's favor, it must be interpreted within the broader context of the book's near-invisible critical footprint. Without rigorous external scrutiny, the claim of accuracy remains unverified by third parties.

4.0. Examination of Reader Feedback and Market Presence

Beyond professional criticism and scholarly analysis, the collective feedback of general readers, as found on major retail and community platforms, can provide valuable insight into a book's reception. Furthermore, a book's availability and market presence can indicate its ongoing relevance and success. This section examines the available data on reader complaints, ratings, and the book's current print status.

4.1. Absence of Documented Reader Complaints and Negative Ratings

Modern reading culture is heavily influenced by platforms like Amazon and Goodreads, where thousands of readers can rate a book and post detailed reviews. A negative consensus on these platforms—characterized by a low average star rating and numerous critical reviews—would be a strong reason to advise against reading a book. Searches were conducted to find such data for Greenfield's Bear (Queries: "Are there documented reader complaints or negative ratings for Robert Greenfield's biography Bear on major book retailer platforms??" and "罗伯特·格林菲尔德的《熊》传记在亚马逊或Goodreads上是否有负面评价或低评分?").

These searches failed to provide any specific reader feedback for the book in question. The results demonstrate an awareness that these platforms exist and how their rating systems work but they contain no actual data—positive or negative—from those platforms about Bear. For instance, the results discuss Goodreads and Douban reviews for other books general dissatisfaction in the book industry 57|PDF, and a lack of reviews for a Robert Greene book , but nothing about Greenfield's biography. The query explicitly confirms the book's identity as a 2016 biography by Greenfield about Stanley but yields no corresponding ratings or reviews from Amazon or Goodreads within the provided data .

Analysis of Absence: This is another facet of the informational vacuum surrounding the book. The lack of documented reader complaints means there is no evidence of a widespread negative reaction. However, it also means there is no evidence of a widespread positive reaction. It suggests the book may have a very small digital footprint, with too few ratings or reviews to register in the provided search results. For a reader who uses community consensus on platforms like Goodreads to guide their reading choices, the absence of a robust conversation around Bear might be a deterrent.

4.2. Unverifiable Market Status and Availability

A book being officially "out of print" can be a reason not to recommend it, simply due to the difficulty of acquiring it. A search was conducted to determine if Greenfield's Bear is currently listed as out of print or unavailable (Query: "Is the book Bear by Robert Greenfield currently listed as out of print or unavailable in major book retailer catalogs??").

The search results were inconclusive on this point. They confirm the book's publication in 2016 and 2017 but provide no information about its current availability or print status in major retailer catalogs 69|PDF. The data does not contain any listings from retailers indicating whether the book is "in stock," "unavailable," or "out of print." This lack of market data makes it impossible to determine if the book is still in active circulation or has been relegated to the second-hand market.

5.0. Synthesis and Final Conclusion

This comprehensive research report was commissioned to detail reasons why Robert Greenfield's biography, Bear: The Life and Times of Augustus Owsley Stanley III, should not be recommended for reading. After an exhaustive analysis of the provided search materials, the primary conclusion is that there are no documented, content-based reasons to recommend against reading this book. The investigation found no evidence of negative professional reviews, no documented factual inaccuracies, no academic critiques, no public disputes, and no widespread reader complaints.

However, the investigation did uncover a set of conditions that, while not direct criticisms, are crucial for any potential reader to consider. These conditions form the basis of a nuanced, conditional recommendation.

1. The Problem of Bibliographic Instability: The research revealed significant and unresolved contradictions regarding the book's publisher and publication date, with St. Martin's Press (2016), Griffin Publishing (2017), and NYU Press (2016) all being cited in the source material. This instability is atypical for a mainstream publication and may be a point of frustration for anyone attempting to formally cite or archive the work.

2. The Conspicuous Absence of Critical Reception: The most significant finding is the profound informational vacuum surrounding the book. It appears to have been entirely ignored by major trade review publications, academic journals, and subject-matter experts within the 1960s counterculture and Grateful Dead historical communities. A book that generates neither praise nor condemnation from any professional quarter exists outside the normal ecosystem of literary and scholarly discourse.

Final Recommendation:

Based on the available evidence, one cannot recommend against reading Bear on the grounds of poor quality, inaccuracy, or controversy. The book may well be a competent, accurate, and engaging biography.

However, a recommendation against reading the book could be made to specific types of readers based on the informational vacuum:

  • For the Academic or Serious Researcher: This book should not be recommended as a primary scholarly source. Its lack of academic reviews, coupled with the absence of citations in other scholarly works and its confusing publication history, means it does not meet the standard of a vetted academic text.
  • For the Reader Reliant on Critical Curation: For individuals who rely on reviews from trusted outlets like Kirkus Reviews, The New York Times, or Publishers Weekly to guide their reading choices, this book cannot be recommended. It has not been subjected to that curatorial process, and therefore comes with no established critical context.
  • For the Reader Seeking a "Significant" or "Impactful" Work: A book's impact is often measured by the conversation it generates. As Bear appears to have generated almost no discernible conversation in either public or academic spheres, it cannot be recommended to someone looking for a culturally significant or widely discussed work.

In summary, the most compelling reason "why not to recommend" reading Bear by Robert Greenfield is not due to any known flaw, but due to its profound and documented obscurity. It is a book that, according to the provided data, has left no discernible footprint on the critical, scholarly, or popular landscape. A potential reader must decide if they are comfortable engaging with a work that exists in such a striking state of isolation.

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