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Literary History of the Book of Job: A Sketch PDF Free Download

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Literary History of the Book of Job: A Sketch
Stand: September 2025
Urmas Nõmmik
1
The Hebrew Book of Job has a history of at least two hundred years of literary emergence in
the 4th–2nd century BCE.
2
Besides a linear idea of development, the central premise of my
approach is that of parallel literary processes during the emergence of the so-called Job
literature, the nearly simultaneous development of several writings on Job, a legendary figure
popular among literary circles in Jerusalem and its surroundings. The literary history of Job
has not only numerous layers but also represents three types of literary activities: independent
sources, which were used to compile the book; redactions, which wanted to shift the focus of
the book; and a huge number of smaller and larger Fortschreibungen, together with glosses,
which are mainly unsystematic. They are summarised in the following table (in approximate
relative chronological order):
Sources
Redactions
Fortschreibungen
Poem/Dialogue*
Prose story*
Book editor = majesty/fear-of-God redactions >
Prose story* + Poem/Dialogue* + additions in 9*
and 12* + criticism towards friends
Single, smaller
texts*
Righteousness redactions (starting in 27*)
Early Fortschreibungen
Poem of a noble
ruler* >
> Reworking of Job’s final monologue 23–31*
Elihu’s
teaching* >
> Elihu’s speeches 3233*+3637*
Single, smaller
texts*
Transience redactions (primarily in 7* and 14*)
Late Fortschreibungen
Lowliness redaction (in 4*, 15 and 25)
Last editor (in 12, 40 and 42*)
Greek extra material
Masoretic extra material
Glosses
1
© Urmas Nõmmik, 2025. The research was supported by the Estonian Research Council grant (PRG938). For
helpful discussions, I acknowledge Amar Annus, Christoph Berner, Walter Bührer, Claude Cox, Marieke Dhont,
Juliane Eckstein, Sirli Ellermäe, Amir Vasheghanifarahani, Stefan Fischer, Maximilian Häberlein, Jonas
Jakobson, Andreas Johandi, Kristin Klaus, Mait Kõiv, Ingo Kottsieper, Jaan Lahe, Christo J.S. Lombaard,
Reinhard Müller, Ergo Naab, Martti Nissinen, Kadri Novikov, Jürgen van Oorschot, Doris Diana Orr, Juha
Pakkala, Agne Pilvisto, Anu ldsam, Reettakaisa Sofia Salo, Bernd U. Schipper, Stefan Schreiner, Diana
Tomingas, Rahel Toomik, Anna-Katariina Traks, Markus Witte, and Anna Elise Zernecke. Above all, I want to
thank my teacher, Otto Kaiser (19242017), whose overall scholarly contribution made the study of the Book
of Job what it is today.
2
Cf. Dell 1991, 162; Kaiser 1994, 74; Witte 1994; 2021; Nõmmik 2010; 2013.
2
1. Sources
Similarly to Daniel and Noah (Ezek. 14:14, 20) or Enoch and Abraham, the legendary figure
of Job was, for some reason, famous in the literary circles of the second temple period,
including a.) the elite open to Hellenistic, Mesopotamian and Egyptian influences, b.) the
movement increasingly focusing on creation theology (and Torah), c.) radical religious-
political groups, which designated themselves as the righteous, the poor and needy, and d.) late
scribes exposed to apocalyptic influences.
1.1. The Poem/Dialogue of Job was significantly shorter than in the received Masoretic text,
including primary layers in chapters 3–31* + 38–39*.
3
It discussed the ambivalent human
experience the suffering growing out of Job’s specific experience and the retribution theology
of friends originating in the contemporary wisdom based on life experience, teachings of the
fathers, and general knowledge.
4
By listing his creation acts, God declares in the final speech
the inconceivability and superiority of divine creation, the limits of educative wisdom.
5
The
poem draws on the Ancient Near Eastern tradition that casts human existential reflections in
words
6
and on younger trends in Near Eastern and Egyptian tradition on cosmotheistic
knowledge
7
, and is, in some respects, an answer to the intensive expansion of information and
knowledge since the 4th century.
8
Thereby, a considerable and open question is whether two
dialogues on suffering (3* + 38–39*) and retribution (4–31*) represent different literary
layers
9
, i.e., whether the poem is subject to literary growth prior to the book editor.
1.2. The Prose Story of Job was a didactic story of a man with steadfast morals who did not
abandon his God despite his utmost suffering. The first layer of the story was rather thin; it
contained only the first episode and the turn of Job’s destiny (1:1a + 2–3 + 13–19 + 20a +
21a+bα + 42:9b + 11aα+b + 12b–13).
10
Before combining the Story with the Poem, it already
started to grow by adding clauses underlining Job’s piety, such as 1:1b, 4–5, 20b, 21bβ, and
42:10b, 11aβ, 12a, 16–17.
11
3
To be exact: 3:3, 78, 1015, 1722, 2426; 4:211 + 5:18*, 1821, 2327; 6:213*, 2126, 2830 + 7:19,
20bc, 21cd; 8:28*, 1014, 1622; 9:1516, 1920, 2728, 3035 + 10:1bc, 3ab, 615b, 1821(?); 11:2
5, 7, 1018, 19b20; 12:23b + 13:58, 1316, 1827b + 14:13a–b, 1517; 15:210, 17, 2024b, 2528b, 29,
30bc, 3235; 16:24, 79, 1216, 1819, 2122 + 17:13, 67, 1315; 18:23, 4b21; 19:29, 1324; 20:2
9, 1215, 1822, 23b26b*, 2729; 21:215, 17ab, 18, 2733b, 34; 22:211, 1316, 1923, 2630; 23:2, 47,
10, 13, 15, 17 + 27:24 + 30:2023* + 31:35b37*; 38:29, 1213a, 14b, 1618, 2122, 2425, 2833, 35 +
39:12, 5, 7, 9–10, 1920, 2627 (maybe the ending missing, cf. 41:26). Cf. Witte 1994, and 2021; Syring 2004;
Kaiser 2006; van Oorschot 1987, and 2007; Nõmmik 2010, 2013, 2014b, and 2021.
4
Nõmmik 2010.
5
Cf. Schipper 2025.
6
Cf. Nõmmik 2025.
7
Cf. Schipper 2025.
8
Nõmmik 2024, 117.
9
Thus, Ingo Kottsieper in a paper given 2023 in Tartu.
10
According to Syring 2004, the original story included 1:1a, 23, 1319, 20a, 21a; 42:11aα, b, 12b13. The
second episode and both heavenly episodes as well as bridging texts have been added later.
11
See Syring 2004 and cf. Bührer 2022.
3
1.3. The poem about the innocent suffering of a noble ruler was a short alternative poetic
version of the case of Job, particularly representing the viewpoint of the pious elite. Fragments
of the original poem can be found in 29–30*.
12
1.4. Elihu’s teaching was a separate composition
13
, which claimed that suffering had a
pedagogical purpose (32:18–22 + 33:1–3, 5–14, 16–18) and substantiated the idea of the
mightiest teacher (God) by describing his universal creation acts (36:22–28, 31–33 + 37:6–
14)
14
, thus providing another, younger branch of cosmotheistic knowledge. The composition
likely emerged not far from the circles handing down the Book of Job. Already before its
inclusion in the Book of Job, the speech was complemented by further additions
15
, e.g., in areas
34:16–19b, 21–24 (the elite will not be saved) or 36:5–6, 7b–12, 15 (the suffering poor will be
saved at the end).
16
1.5. Single, smaller texts are poems or their fragments adopted by editors of Job during the
whole process of literary growth. Hence, they can appear among early and late
Fortschreibungen. Their number and volume are topics open for discussion, but some kind of
prototypes, such as 26:5–13*
17
and 28*
18
can be suspected.
2. Redactions
2.1. Book editor (= the majesty/fear-of-God redactions) initiated the redaction history of Job.
19
Firstly, two significant extensions underlining God’s majesty and might in 9:2–14 and 12:7–
8, 10–25 + 13:1–2 were designed to frame Job’s initial critical question, why God is willing to
destroy his own creation, i.e., Job (10:1b–c, 3a–b, 6–15, 18–21), and start to include the ideas
of the divine speech into Job’s speeches
20
. The claims of the might of God by moving
mountains and stars and ruling over all mighty people and nations try to soften Job’s brusque
words towards God and controversial talk about justice. The additions presuppose the Priestly
creation account.
12
Nõmmik 2014a; without absolute certainty, the following verses can be suspected of originating in the
alternative poem: 29:211, 2125b; 30:1ab, 919*, 2431. By reworking Job’s final speech (23* + 27*) in the
Poem/Dialogue, the original poem 2930* was complemented and reworked into the new final monologue.
13
According to Lauber 2013, a composition of a number of autonomous poems; cf. Witte 2021.
14
Cf. Pilger 2010: 130134: 32:1, 610, 1822; 33:114, 15aα, b, 1625, 2933; 36:2223, 2733; 37:614;
according to Lauber 2013, at least 32:622; 34:1, 2933; 35:1, 1415; 36:1, 6(?), 2223; 36:2437:13*; 37:23
are added later.
15
Cf. Witte 2021, 493–494, who counts only a few glosses in Elihus speeches.
16
The exact volume of the additions remains a difficult question.
17
Cf. Salo 2023, who for 26:514, claims a Fortschreibung in several steps (+ v. 1213, 14b + 5–6, 11 + 7–10 +
14a).
18
The basic layer is in 28:13b, 4ab, 5–14, 2023, 2527.
19
Van Oorschot 2007; Nõmmik 2013, 2014b. With “fear-of-God redactions”, van Oorschot revises Wittes thesis
of the “majesty redactions” (1994; cf. Kaiser 2006).
20
Cf., e.g., 9:910 < 38:3132.
4
Secondly, the editor is responsible for creating the Book of Job in the sense we know it
today, with a dialogue part in the middle and the narrative part framing it, with parallels in the
Ancient Near East, e.g., Ahiqar composition. The editor introduced friends in 2:11–13 and
extrapolated speeches with prose introductions formally in 3:1–2; 4:1; 6:1; 8:1; 9:1; 11:1; 12:1;
15:1; 16:1; 18:1; 19:1; 20:1; 21:1; 22:1; 23:1; 38:1.
21
Job’s critical attitude towards friends
might have been deepened by the same editor
22
; extrapolations, such as 6:15–20; 13:9–12;
16:4c–6; 16:9c–11
23
; 27:5–6 and 27:11–12 always respond to Eliphaz’ speeches (and together
with 9:2–14 additionally to Bildad and Zophar in the first round).
24
Job becomes the one who
“fathoms” the inscrutability of divine creation and, hence, wiser (= more pious) than his friends.
2.2. The righteousness redactions start a series of extrapolations and Fortschreibungen
focusing on the divine order, which is superior to Job and his friends and guarantees both the
downfall of the wicked and the deliverance of the righteous and the poor.
25
Some additions
repeat the theoretical thesis, and some – probably younger – extensions fiercely concentrate on
the downfall of the elite. The redaction layer is connected to other similar redactions in the
Hebrew Bible (particularly in the Psalms) and flows into an unsystematical series of
Fortschreibungen.
26
The process might have started with 27:13–23 in the final speech of Job
before it was drastically reworked, but may also include the crucial framing of the divine speech
38–39*, which until then, existed in its original form and was now framed with additions in
38:13b–14a, 15, and 40:10–14.
27
2.3. Reworking of Job’s final monologue (23–31*) reacts to the critical social and political
sentiment of the righteousness redactions (see 2.2 above)
28
and revises the original final speech
of Job, fragments of which can be found in 23*; 27:2–4; 30:20–23* and 31:35b–37*.
29
The
basic text for editors has been the initially independent Poem about the innocent suffering of a
noble ruler (fragments in 29–30*; see 1.3 above), now reworked by reusing 30:20–23* and
31:35b–37* and complementing with a series of four self-curses in 31:5–6, 7a–b+8, 9–10,
16+22
30
. The process includes the organisation of the last, now very long speech of Job into
21
Cf. Syring 2004; Kaiser 2006.
22
According to Syring, binding together the Story and the Poem has been a rather significant editorial process.
23
If the passage is not a product of the righteousness redactor.
24
Cf. Nõmmik 2013; 2021.
25
Witte 1994; 2021; Kaiser 2006; van Oorschot 2007; Nõmmik 2010; 2013; 2014b.
26
The additions partly reflect a fierce opposition of the righteous to the wicked but, on the other hand, do not offer
any solution of eternal life (cf. The Epistle of Enoch in Enoch 91105), which allows to date many of the
additions to the second half of the 3rd century and indeed before 170 (the Epistle is dated before 170 by Collins
1998, 66; Nickelsburg 2005, 114; VanderKam 2022, 123). According to Schunck (1994: 502), the high priest
Onias II (according to him, ca 260 ca 220) was confronted with the polarization of the society and stood on
the side of the poor/pious, which also would date the problem of the poor to the second half of the 3rd century.
27
Job 40:1–9 has been added much later, see 2.7 below; the same is true for Behemoth and Leviathan, and further
Fortschreibungen, see 3.1 and 3.2 below. Additions in 38 have been discussed by Nõmmik 2024, 118.
28
If reminiscences to the Torah piety (in the context of the elite) are true, the final speech or its Fortschreibungen
(see 3.2.5 below) might be close to Ben Sira at the beginning of the 2nd century BC; Opel (2010: 275325)
suggests parallels to Ben Sira but sees the final speech as part of the original poem. Remember that Ben Sira
mentions Job.
29
Those fragments are maintained by Witte 1994; 2021; Kaiser 2006; Nõmmik 2013; 2014a.
30
Four because strictly speaking, only v. 6, 8, 10 and 22 qualify; the rest of the literary process cannot be
reconstructed properly anymore, including the fifth, slightly different curse in v. 3840. Nõmmik 2024, 117
5
three (23–24*, 27* and 29–31*) by adding two new introductions ( ויסף אי וב שֺ את מל ו ו יאמר
‘and Job continued his teaching, and said’ in 27:1; 29:1), which mark the advanced idea of Job
as a teacher with authority, cf. keyword משׁ ל ‘teaching’. And lastly, the final remark in 31:40c
likely originates from this editor.
2.4. Including Elihu’s speech in the Book of Job also means its reworking. However, the
volume of editing is open for discussion, and it is difficult to strictly separate the process from
the wave of advanced righteousness redactions (cf. 2.2. above). But as for now, Elihu’s
speech was already grown in the meanwhile (perhaps 32:18–22 + 33:1–3, 5–14, 16–18; 34:16–
19b, 21–24; 36:5–6, 7b–12, 15, 22–28, 31–33 + 37:6–14; see 1.4 above) and needed at least an
introduction and legitimation in the book: 32:1, 4, 6–7, 9–10 (Elihu has waited since he is
younger).
Someone inspired by the righteousness redactions is probably responsible for, firstly, adding
32:11–17 (friends do not manage to oppose Job’s false claim of righteousness) and, secondly,
by the example of three final speeches of Job, increasing the number of Elihu’s speeches by
adding following passages: 33:31–33 + 34:1–6, 10b–15, 29–33*, 36–37* (the second speech
comes into being: God is not guilty, Job adds rebellion to his sins) and 36:1–4 (the beginning
of the fourth speech). Then, the third speech was introduced in 35:1–7, 13–15 (rebellious Job
must wait for his judgment), probably 37:19, 23–24* belonging to the same hand (new ending
of the speeches).
2.5. The transience redactions and a chain of respective Fortschreibungen develop the
Ancient Near Eastern lamenting tradition with an existential touch.
31
They are partly inspired
by the middle strophes of Job’s opening lament (3:13–15, 17–19) and further develop the idea
of the earthly suffering of the poor and needy by linking together all speeches of Job. Key texts
seem to be 7:11–18; 14:1–2+5–10* and 21:23–26
32
, perhaps borrowed from somewhere else.
In contrast to all older sections of Job, the transience additions apply for the first time the
keyword אנ ו (7:17).
2.6. The lowliness redaction belongs together with the last editor to the two decisive
redactions in the Book of Job.
33
The extrapolations draw on the transience idea (cf., once again,
the keyword אנ ו ) and underline the fundamental incomparability of human beings with God
and their inability to be righteous a nightly revelation legitimises the perception.
34
The key
118, must be slightly emended.
31
Nõmmik 2014b; 2021; 2025a; 2025b. Connections to the transience ideas in the Book of Qohelet from the 3rd
century BCE are obvious (cf. Kottsieper); the topic of transience belongs originally to the royal tradition (cf.
among others, The Standard Babylonian Epic of Gilgamesh), but social and political controversies in the second
temple Israel gradually shift the focus from transience to the aimless suffering of lower social strata.
32
Cf. borrowing from the original Poem 7:11c < 10:1bc and 21:26 < 7:21c; cf. further from righteousness
redactions 21:24 < 20:11a and 21:26a < 20:11b.
33
Witte 1994; 2021; Kaiser 2006; van Oorschot 2007; Nõmmik 2010; 2013; 2014b; 2025b. The redaction is dated
by Witte and Kaiser to the beginning and by van Oorschot (cf. Syring 2004) to the end phase of the literary
history of Job.
34
The dating depends on the only example of creational sinfulness in a vision context known beside Job, in Enoch
81:5 (Witte 1994, 198, but cf. the broader context in vv. 5b9); the Astronomical Book of Enoch (7282) is
dated to an earlier time than 200 BCE (VanderKam 2022, 90), however, Nickelsburg (2005, 114) underlines
6
text appears in the strategic position close to the beginning of the dialogue, in the middle of the
first speech of Eliphaz (4:12–20b, 21), followed by the next in the middle of his second speech
(15:11–16). The third is designed as the whole third speech of Bildad (25) inserted between the
first two of the three “final” speeches of Job (23–24*, 26–27*, 29–31*) by additionally
complementing the beginning of 26* with a new introduction 26:1.
35
2.7. The last editor of the book is the author of at least five texts, the two heavenly scenes in
the Prose story 1:6–12 and 1:22–2:10 (including the dialogue between Job and his wife), the
dialogue between Yahweh and Job in 40:1–5, the second short answer to God in 42:1, 4–5, and
the conclusion of the confrontation with three friends 42:7–9a+10a.
36
The editor divides the
one long divine speech into two speeches (by adding also 40:6–8
37
) with two short reactions
by Job, similarly to the two heavenly scenes, two rounds of suffering, and two short reactions
by Job in the prologue. The editor is related to the apocalyptic milieu because of the heavenly
court and the elevated position of Job, being the only human who directly communicates with
God. The additions purify Job (and God) from all possible faults and rationalise his case since
Satan’s bet explains Job’s over-dimensioned suffering. By letting Job declare that he has seen
and heard everything (42:4–5), the editor also tries to reinterpret the divine speeches as Job’s
heavenly travels, as a counterpart to the two heavenly scenes in 1–2. The edited book, thus,
understands the divine speeches being part of the frame story, not the dialogue.
It is likely also the last editor who ascribes a far more ambitious role to Elihu.
38
He is not
assessed negatively; vice versa, his speeches become an organic part of the book’s solution
since through the reworking of his introduction (by adding v. 2–3, 5 to 32:1–6*), Elihu now
participates in the divine wrath (cf. חרה אף also in 42:7) and opens towards apocalyptic
elements. The poem about the angel saving from the pit 33:23–30 is very close to the last editor,
if not belonging to him (see 3.2.7b below).
39
3. Fortschreibungen
The Book of Job has many smaller and larger additions, which cannot be attributed to any
redaction layer with any certainty, or which emerged often unsystematically during the long
that 81:182:3 are redactional but close to earlier material in The Book of Watchers (Enoch 136) and the Epistle
of Enoch (see footnote 26, above).
35
Note that 26:214 has already been added (cf. 3.1.1 below). Job’s two short answers to God in 40:35 and 42:1
6 have also been attributed to the lowliness redaction by Witte 1994; 2021; Kaiser 2006; Syring 1994, and van
Oorschot 2007. However, the situation is more complex (Bührer 2022), and better to solve together with the last
editor of the book, i.e. additions in the Prose story (see 2.7 below).
36
Nõmmik 2025b and Nõmmik (forthcoming) as well as in a paper presented 2025 at the IOSOT conference in
Berlin. Three of the mentioned texts are the only texts in Job where the construction NN את ־ N ויען occurs (1:7,
9; 2:2, 4; 38:1; 40:1, 3, 6) followed by a short, direct speech. The form of 40:16 fits the dialogue form in the
heavenly scenes perfectly. The introduction 42:1 might have suffered through an attempt to extrapolate it later
(quotes from 38:2–3 and different shapes in versions, cf. 3.2.7d below). Additionally, the introduction of the
first divine speech (38:1) was probably reworked.
37
Cf. 40:7b < 38:3b.
38
Cf. Grunert 2024, 318361, who sees Elihu in a positive light, but does not argue with any redactions.
39
Nõmmik 2025b.
7
literary and transmission process. The most accurate notion for the whole process is
Fortschreibungen, which does not exclude that some of the additions still belong to a particular
redaction layer. It is extremely difficult to distinguish early Fortschreibungen from late ones.
However, I will make a few suggestions. A little more confidently, it can be argued that the
literary development of the Hebrew proto-Masoretic tradition took a slightly different path
compared to the Old Greek translation (OGJob).
3.1. Early Fortschreibungen have the most potential to belong to some redaction layer (see
2.1–2.6 above), but they do not belong to the core of those redactions. In its stead, they seem
to be slightly younger texts provoked by the main editors mentioned above.
3.1.1. Creation Hymn 26:1–14 praises the universal might of God, who helps the weak
human. The text might be related to the book editor (see 2.1 above), and its symmetric position
as a counterpart to 9:2–14 and 12:7–25* seems to confirm it. However, it is also possible that
the text reacts to 23–24* (weak people)
40
and that older fragments in verses 5–13 have been
reworked into this new hymn (cf. 1.5 above). The current form is close to the cosmotheistic
approach, like in the Poem/Dialogue* or Elihu’s teaching.
41
3.1.2. Wisdom Hymn 28:1–3b + 4a–b + 5–14 + 20–23 + 25–27 (see 1.5 above) describes
the relationship between God and wisdom and is related to late wisdom texts in Proverbs, which
are influenced by Hellenistic thought. Similar to 26, the Wisdom Hymn might have some
connection to the book editor (consider also a similar position in the book), but the specific
topic of wisdom is different, and its inclusion after the righteousness redaction in 27:13–23,
formally connected through the keyword כסף ‘silver’, is likely (27:16–17 > 28:1).
42
3.2. Late Fortschreibungen can be grouped according to their tendency and relation to the
redaction layers described above. However, it is impossible to determine the relative
chronology of these additions.
3.2.1. Fortschreibungen relying on the book editor (cf. 2.1 above) can be found in 5:9–
10
43
; 22:12, 24–25 and 23:3, 8–9. The whole first speech of God has been edited by adding a
series of remarks on wild nature: 38:10–11, 19–20
44
, 23, 26–27, 34
45
, 36–41
46
; 39:3–4, 6, 8,
11–12, 28–30 (some of them are perhaps later glosses).
3.2.2. The strophes on thunder and clouds 37:1–5 and 37:15–18 demonstrate the skill of
learned poets who, besides divine speeches, wanted to extrapolate the weather depictions in
the last speech of Elihu.
47
40
Job 26 seems not to react to the lowliness text in 25 since it relates to the issues of righteousness and transience.
Hence, 26:1 is a younger addition of the lowliness redactor.
41
See footnote 17 above.
42
In contrast to the beginning of Job 27:1 and 29:1, Job 28 misses an extra prose introduction, hence, a
Fortschreibung of Job 27 is logical.
43
Cf. 5:910 < 9:10.
44
Cf. 38:1920 < 28:12, 20, 24.
45
Cf. 38:34 < 22:11b.
46
Cf. 38:39 < 4:10.
47
Cf. Pilger 2010, who ascribes 37:15, 1519, 2324 to the Elihus third editor; differently Mende 1990, who
sees 37:1422* as part of the basic layer, and v. 1–13* as part of the third editor.
8
3.2.3. Fortschreibungen reflecting the idea of (social) justice (cf. 2.2. above) is the most
complicated set of additions. They include 5:11–17; 9:23–24(?); 10:3c; 11:8–9(?); 17:8–10;
20:10–11
48
; 21:19–22; 22:17–18; 24:1–11*, 21–25* (likely in several steps); 27:7–10;
29:12+13b–20; 34:7–10a; 34:25a+26*+28*; 34:34–35; 35:16.
3.2.5. The reworking of Job’s final monologue in 29–31* is particularly prominent since
the quality of Job’s piety regarding social justice and cultic purity was deepened intensively.
Here, Torah piousness may be suspected in the backdrop. To this chain of additions belong
30:1c–d + 5–8; 31:17, 19, 21, 24–27, 29–34
49
, 38–40b.
3.2.6. Fortschreibungen relying on the transience idea include 7:1–3+6–10; 9:21–
22+25–26(?); 10:4–5; 14:18–22
50
; 19:10–12(?); 34:19c–20 and perhaps in some passages of
chapters 23–24 (see 3.5 below).
3.2.7. Fortschreibungen, being eschatological and/or close to the apocalyptic milieu in
the Hellenistic period (cf. 2.7 above), do not come from one and the same scribal hand;
however, they often have the opposition of darkness and light in common and are relatively
young.
a) The Poem about the enemies of light 24:12–16+18+20(?) is perhaps related to the
righteousness redactions and the idea of social justice, but has a specific poetic profile of tricola
and shifts towards an apocalyptic mindset.
51
b) The reworking of Job’s opening curse 3:4–6+9 means an extrapolation of four
tricola
52
, which leaves the impression that they could come from a separate poem.
53
c) The Poem about the angel saving from the pit 33:23–30 attests to the faith in angels,
comes from the same milieu as heavenly scenes in the Prose story, if not belonging to the last
editor.
54
d) Late addition about Job’s unique ability to see God in 19:25–27; Job approximates
the heavenly travellers of the apocalyptic literature.
e) Late eschatological glosses in 19:28–29 and 31:11–15, 23, 28, attesting to the idea of
otherworldly judgement.
55
3.2.8. The Poems on Behemoth 40:15–18+21–24 and Leviathan 40:25–41:8+41:10–25*
convince the reader that the God capable of contesting enormous monsters must also be capable
of destroying wicked people, especially the most powerful rulers. The two poems are younger
than the righteousness text in 40:7–14 and, in a way, commenting on it. Both poems also seem
to be younger than the last editor’s work and connect to the phenomenon of visionary monsters
in the apocalyptic literature. It is not excluded that particular rulers from the Hellenistic period
have been targeted.
48
Cf. 20:11b < 7:21c.
49
Cf. 31:31b < 19:22b.
50
Cf. 14:19c < 8:13b.
51
Nõmmik (forthcoming).
52
Loretz 2000; cf. slightly differently Mende 1990, 245247.
53
Nõmmik 2025b.
54
Nõmmik 2025b.
55
Feldmar 2019; however, she lists 19:2829 and 31:1112, 14, 23, 28 among eschatological glosses.
9
3.2.9. The strophe about the horse 39:21–24a + 25 deserves special mention since it is a
longer, highly pretentious poem on the horse’s might, added to the older verses 19–20, and
represents at least the same poetic profile as previous poems on Behemoth and Leviathan.
56
3.2.10. Latest Fortschreibungen in Elihu’s speeches include material which cannot be
dated and ascribed precisely, e.g., 33:15+19–22.
57
3.2.11. The addition of Job’s daughters in 42:14–15 is one of the latest additions to the
frame story. Its origin is unknown.
3.3. Greek extra material means texts that the translator of OGJob or someone at a slightly
later time added to the Greek Book of Job. The two major additions are:
3.3.1. The monologue of Job’s wife 2:9a–d raises the issue of the wife suffering alongside
Job and justifies the wife’s original words in the Hebrew text (2:9e).
3.3.2. The alternative, historicising book ending in 42:16b–17e, perhaps grown in several
steps, seeks to date and locate Job and his friends in accordance with Pentateuchal tradition.
3.4. Masoretic extra material regards several passages missing in OGJob, which were also
likely missing in its Vorlage. Apart from 30:2–4(?) and 31:1–4(?)
58
, two texts reflect on a
specific topic, such as:
3.4.1. A strophe on precious stones and metals 28:15–19 introduces another perspective
to deepen the extraordinary quality of wisdom.
3.4.2. The poem on the ostrich 39:13–18 reflects on its unfathomable behaviour,
underlining the sovereignty of divine creation. The addition is likely inspired by the addition
on the horse in 39:21–25*.
3.5. Further glosses in the Masoretic text are impossible to date precisely: 3:16; 3:23; 4:20b;
5:(3)4–5; 5:22; 6:4b; 6:10c; 6:14; 6:27 (cf. 3.2.3 above); 7:4–5; 7:20a (Job takes the blame)
59
;
7:21a–b (see the latter); 8:6b; 8:9 (cf. 3.2.6 above); 8:15; 9:17–18; 9:29 (cf. 7:20a); 10:1a; 10:3;
10:15c–17 (related to 31 together with its extrapolations); 10:22; 11:6 (cf. 3.2.1 above); 11:19a;
12:3c–6* (text corrupt, grown in several steps); 12:9 (the only mention of Yahweh in Poem’s
speeches); 13:3–4 (perhaps in two steps, cf. 2.1 above); 13:17; 13:27c; 13:28 (comments on
the addition in 14:1ff); 14:3
60
; 14:4; 14:11–12* in two steps (11+12b and 12a+c, cf. 3.2.7
above); 14:13c; 14:14 (cf. 3.2.7 above); 15:18–19; 15:24c; 15:28c; 15:30a; 15:31; 16:17; 16:20;
17:4–5; 17:11–12 (cf. 3.2.3 above); 17:16; 18:4a; 20:16–17; 20:23a; 20:25bβ; 20:26c; 21:16
(cf. 3.2.3 above); 21:17c; 21:33c; 23:11–12; 23:14; 23:16; 24:17; 24:19; 28:3c; 28:4c; 28:24;
28:28; 29:13a; 29:25c; 30:3c; 31:7c; 31:18; 31:20; 31:35a; 32:8; 33:4; 34:25b+26aα; 34:27;
35:8–12 (unintelligible content); 36:7a; 36:13–14; 36:16; 36:17–21 (unintelligible content);
36:29–30; 37:20–22; 39:24b; 40:19–20; 41:9(?); 41:26(?); 42:2–4
61
(an attempt to start a new
speech, variation in versions).
56
Nõmmik 2025b; cf. esp. 41:13, 1821.
57
Cf. 33:15 < 4:13.
58
Cf. 31:4 < 14:16.
59
Cf. 7:20a < 35:6.
60
Cf. 14:3 < 22:4b.
61
Cf. 42:3, 4b < 38:2, 3b.
10
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