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Burning More than Barns PDF Free Download

Burning More than Barns PDF free Download. Think more deeply and widely.

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Preston Shewell
Professor Karen Holt
E251 Fundamentals of Literary Interpretation
26 February 2014
Burning More than Barns
William Faulkner’s “Barn Burning” is a lesson in hatred, revenge, and morality. While
such subject matter is far from uncommon in both classic and contemporary literature, this short
story is told in a manner that tends to draw the reader’s attention not to the events of the story
itself, but to the motives and thought processes of the characters involved in it. The story is
written from the viewpoint of a ten-year-old boy named Colonel “Sarty” Sartoris, an unlikely
hero to say the least. The main focus, however, is not on this boy, but rather on the boy’s father,
Abner Snopes. Where Sarty personifies innocence, loyalty, and ethics, Abner personifies the
exact opposite: resentfulness, ruthlessness, impulsiveness, anarchy. He proves to be one of
literature’s most dynamic and complicated characters, yet it is difficult to say why at first
reading. Much is not said about Ab, though much is implied. The attempt made here is to take a
psychological approach to the story in order to understand (at least in part) his characteristics,
emotions, and possibly even motives. Psychological criticism is an “[effort] to explain the
growth, development, and structure of the human personality” (Dobie 54). Thus, when viewed
from the standpoint of a psychological critic, just by paying special attention to the subtle
implications presented by the narrator, one begins to understand the “what” behind Abner’s
menace, what the narrator reveals about him. The “why” is less evident, though not
unexplainable by the text.
A TROUBLED MAN
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Much of what there is to be learned about Snopes from the story is in the opening, where
he stands at trial, being accused of burning down a man’s barn after the man demands
remuneration for Snopes’ neglect to keep his hogs out of the man’s corn fields. The man’s claim
to monetary reimbursement seems reasonable, as he gave Snopes wire to fix his pig pen, which
was not in any way appreciated, let alone utilized (Faulkner 267). What, then, is the reason for
Snopes’ actions against the man (whose name is Mr. Harris)? He seems to ignore Mr. Harris’s
petitions to pen up his hogs simply to spite him, and arson seems like an extreme overreaction.
Let us examine another part later in the story, where Abner relocates his family to a farm owned
by a wealthy man named Major de Spain. In Faulkner and Material Culture, authors Joseph
Urgo and Ann Abadie explain that in those days, “tenant farmers’ conditions reflected
‘undeviating’ powerlessness” (57). They go on to suggest that Ab’s act of burning Major de
Spain’s barn a little later in the story is a form of protest against this powerlessness. It can be
safely assumed that Snopes seeks independence, and indeed acts independently of everyone
else’s expectations.
SOCIAL AND ECONOMIC INEQUALITY
Ted Adkinson’s Faulkner and the Great Depression: Aesthetics, Ideology, and Cultural
Politics goes in a slightly different (though not entirely unrelated) direction in an attempt to
understand Snopes’ attitude and actions. As suggested by the book’s title, Adkinson explores the
idea that what takes place is at least partly influenced by the existence of social and economic
imbalance, toward which a man as independent as Abner Snopes would feel intense resentment.
According to Adkinson, most if not all of what Snopes does is in direct defiance of what he
believes to be a corrupt and unjust class system. Used as an example of this is the “case of
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Snopes vs. De Spain” (198). The author takes note of the fact that this time Abner is the plaintiff,
acting in rebellion against authority and “testing the philosophical principle that justice is blind.”
Adkinson further attempts an explanation for Abner’s obsession with burning barns. He
refers to the portion of the text that says that “the element of fire spoke to some deep mainspring
of [Ab’s] being, as the element of steel or of powder spoke to other men, as the one weapon for
the preservation of integrity” (Faulkner 269). To Abner Snopes, burning down his employers’
barns was not simply an act of vengeance, it was an attempt to create equal ground (Adkinson
199).
HEAT OR NO HEAT
One very important characteristic of Ab’s is implied three times in the text, though never
directly stated. Those three times are instances of violence “without heat.” Snopes strikes his
mules “two savage blows with the peeled willow, but without heat” (Faulkner 269). Snopes
strikes Sarty “on the side of the head, hard but without heat” (270). Snopes tells a black man to
get out of his way, “without heat too” (272). Snopes does a number of things “without heat,”
leaving one to wonder how someone so obsessed with fire is capable of doing anything “without
heat.” This seeming contradiction speaks volumes about the character of Abner Snopes. He is
someone so acquainted with adversity and inequality, consumed for so long by bitter memories
of his past as a renegade in the Civil War, that every instance of harsh mistreatment and every
act of vengeance comes as the almost involuntary reaction of someone accustomed to acting in
such a way; and the careful reader can almost sympathize with him and his plight. Almost.
CONCLUSION
Snopes consistently acts upon misguided ideals which he honestly believes are correct:
“There was something about his wolflike independence and even courage…which impressed
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strangers, as if they got from his latent ravening ferocity…a feeling that his ferocious conviction
in the rightness of his own actions would be of advantage to all whose interest lay with his”
(269). This single sentence is the most clearly defining statement of Snopes’ nature given in the
text itself. The narrator proves to be very informative in his subtle revealing of the character. The
concept that someone so wrong can think that he is so right is something that has fascinated
psychological critics for a very long time. Snopes appeals to students of psychological criticism
because he does not make sense to the vast majority of those who read “Barn Burning.” Rather,
much of the story’s appeal comes solely from the reader’s attempt to wrap his mind around that
of Abner Snopes.
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Works Cited
Atkinson, Ted. Faulkner and the Great Depression: Aesthetics, Ideology, and Cultural Politics.
Athens: U of Georgia P, 2006. 194-217. Print.
Dobie, Ann. Theory into Practice: An Introduction to Literary Criticism. 3rd ed. Boston:
Wadsworth, 2012. Print.
Faulkner, William. “Barn Burning.” Theory into Practice: An Introduction to Literary Criticism.
3rd ed. Ed. Ann B. Dobie. Boston: Wadsworth, 2012. 267-279. Print.
Urgo, Joseph and Ann Abadie. Faulkner and Material Culture. Jackson: UP of Mississippi,
2007. 53-57. Print