
INTRODUCTION xxvii
3. Benjamin Quarles, “Introduction,” in Frederick Douglass, Narrative
of the Life of Frederick Douglass, an American Slave, Written by Himself (1845,
reprint, Cambridge, Mass.: Belknap Press of Harvard University Press, 1960),
p. xix. All future page references are to the present edition and are accompa-
nied by the letters “NFD.”
4. Robert O’Meally, “Frederick Douglass’ 1845 Narrative: The Text Was
Meant to Be Preached,” in Dexter Fisher and Robert B. Stepto, eds., Afro-
American Literature: The Reconstruction of Instruction (New York: Modern
Language Association, 1978), pp. 192–211; Quarles, “Introduction,” p. xix;
David Blight, “Introduction: A Psalm of Freedom,” in Frederick Douglass,
Narrative of the Life of Frederick Douglass, an American Slave, Written by
Himself (1845, reprint, New York: Bedford Books, 1993), pp. 1–23.
5. Blight, “Introduction,” p. 8.
6. Waldo Martin, The Mind of Frederick Douglass (Chapel Hill: Univer-
sity of North Carolina Press, 1984), pp. 253–278.
7. Robert O’Meally, “Introduction: Crossing Over: Frederick Douglass’s
Run for Freedom,” in Frederick Douglass, Narrative of the Life of Frederick
Douglass, an American Slave, Written by Himself (1845, reprint, New York:
Barnes and Noble, 2003), p. xxvi.
8. Blight, “Introduction,” pp. 18–19.
9. Saidiya V. Hartman, Scenes of Subjection: Terror, Slavery, and Self-
Making in Nineteenth-Century America (New York: Oxford University Press,
1997), p. 3.
10. Ibid., p. 4.
11. Ibid., p. 35.
12. Shane White and Graham White, The Sounds of Slavery: Discovering
African American History through Songs, Sermons, and Speech (Boston:
Beacon, 2005), p. ix.
13. Robert Hayden, “Runagate, Runagate,” in Frederick Glaysher, ed.,
Robert Hayden Collected Poems (New York: Liveright, 1985), p. 59.
14. Edward P. Jones, The Known World (New York: Amistad Harper
Collins, 2003), p. 332.
15. In 1888, forty- three years after Douglass shared his story about a slave
named Sandy and the special root that could protect a slave from white
folks, Charles W. Chesnutt published “Po’ Sandy,” a conjure story in which
Sandy’s wife, a conjure woman named Tenie, turns him into a tree in the
hope of giving him some respite from the master. Unfortunately, Sandy is
milled into boards for a new kitchen. Their stories are different, but might it