
Analysis of the Syro-Malabar Rite of Marriage 133
couple worthy to put on the robe of glory in heaven after a life of
sanctity on earth‖ (SMB, 146).
This formula presents God as the one who adorns the human soul with the ―mantle of
grace.‖ It vividly reminds that by their mutual love and enduring self-giving the couple
―put on Christ‖ who loves the Church and sacrificed His life to earn the Church as His
bride. The expression ―Put on Christ‖
implies the Baptism of the individual person, by
which they acquire the robe of glory and the newly baptized are asked to preserve the
robe of glory given at baptism.
The formula for the blessing of the manthrakodi
alludes that the Lord clothed the Church in the mantle of glory signifying that ―at each
Christian baptismal ceremony it is the individual soul that is betrothed [to Christ].‖
However, the actual wedding feast is celebrated in ―the sacred time, at the eschaton,‖
when those who have kept their wedding garments spotless and pristine, which received
at their baptism, ―will fully realize the existence of their robes of glory.‖
The clothing
imagery, the putting on and the putting off of the robe of glory or the robe of light, is one
of the prominent themes of the Syrian Tradition.
Ephrem the Syrian is one among
them and in his hymn on Nativity he writes on Incarnation and its effects as follows:
All these changes did the Merciful One make,
stripping off glory and putting on a body;
The Odes of Solomon uses the phrase ―put on‖ in a variety of ways: to put on ―the Love of the Lord‖
(3:1), ―Thy grace‖ (4:6), ―Thy seal‖ (4:7), ―Him‖ (7:4), ―His holiness‖ (13:3), ―incorruption‖ (15:8),
―Thy grace of the Lord‖ (20:7), ―light‖ (21:3), ―Joy‖ (23:1), ―Love‖ (23:3), and ―the name of the Most
High‖ (39:8). In all these cases the author of the Odes specifies the relationship between God and the
human soul. For Ephrem the Syrian, putting on Christ suggests the Baptism. Sebastian Brock, The
Luminous Eye: The Spiritual World Vision of Saint Ephrem the Syrian (Collegeville, Michigan:
Cistercian Publications, 1992),
Brock, The Luminous Eye, 94-95. The imagery of robe of glory, proposed by Ephrem the Syrian, is a
widely discussed theme of the Syrian Theology.
Brock, The Luminous Eye, 31; Palathingal, Essence and Form of Marital Relationship in the Malabar
Church, 106; Chundelikkattu, Vivaham Oru Samagra Padanam (the Signs and Symbols of Marriage),
144.
Brock, The Luminous Eye, 95; Hannah M Hunt, ―‗Clothed in the Body‘: The Garment of Flesh and the
Garment of Glory in Syrian Religious Anthropology,‖ Studia patristica 64, (2013), 7; Sebastian Brock,
―The Robe of Glory: A Biblical Image in the Syriac Tradition,‖ The Way 39, no. 3 (1999), 255; Erik
Peterson, ―A Theology of Dress,‖ Communio: International Catholic Review 20, (Fall, 1993), 565.
While discussing on the robe of glory as envisioned by Ephrem, Sebastian Brock explains as follows:
―It is evident that St. Ephrem and the other early Syriac writers derived [the term robe of glory]
ultimately from Jewish circles, where the term arose from a particular interpretation of Genesis 3:21. In
that verse the Hebrew and the ancient versions read, ‗And the Lord God made for Adam and his wife
garments of skin‘; it so happens, however, that the Hebrew word for ‗skin‘ is very similar to that for
‗light,‘ and a famous late-first-century rabbi, Rabbi Meir, is reputed to have had a manuscript of Genesis
which actually read ‗garments of light.‘ The Aramaic Targum tradition, furthermore, translates the
phrase by ‗garments of honor (or glory),‘ very similar to the ‗Robe of Glory,‘ characteristic of Syriac
writers.‖ Saint Ephrem, ―Hymns of Paradise: Saint Ephrem the Syrian,‖ ed. Sebastian P. Brock
(Crestwood: St Vladimir‘s Seminary Press, 1990), 68; Peterson, ―A Theology of Dress,‖ 558-568;
Brock, ―The Robe of Glory: A Biblical Image in the Syriac Tradition,‖ 247-259; Hunt, ―Clothed in the
Body,‖ 1-7; Sebastian Brock, Studies in Syriac Christianity: History, Literature, and Theology
(Hampshire: Variorum, 1992), 15-38.