
Paris or Vienna, which quickly palls; its charms are more solidly German, and more lasting. It is the Mecca of the
musician. For five shillings, in Dresden, you can purchase a stall at the opera house, together, unfortunately, with
a strong disinclination ever again to take the trouble of sitting out a performance in any English, French, or,
American opera house.
The chief scandal of Dresden still centres round August the Strong, "the Man of Sin," as Carlyle always called
him, who is popularly reputed to have cursed Europe with over a thousand children. Castles where he imprisoned
this discarded mistress or that−−one of them, who persisted in her claim to a better title, for forty years, it is said,
poor lady! The narrow rooms where she ate her heart out and died are still shown. Chateaux, shameful for this
deed of infamy or that, lie scattered round the neighbourhood like bones about a battlefield; and most of your
guide's stories are such as the "young person" educated in Germany had best not hear. His life−sized portrait
hangs in the fine Zwinger, which he built as an arena for his wild beast fights when the people grew tired of them
in the market−place; a beetle−browed, frankly animal man, but with the culture and taste that so often wait upon
animalism. Modern Dresden undoubtedly owes much to him.
But what the stranger in Dresden stares at most is, perhaps, its electric trams. These huge vehicles flash
through the streets at from ten to twenty miles an hour, taking curves and corners after the manner of an Irish car
driver. Everybody travels by them, excepting only officers in uniform, who must not. Ladies in evening dress,
going to ball or opera, porters with their baskets, sit side by side. They are all−important in the streets, and
everything and everybody makes haste to get out of their way. If you do not get out of their way, and you still
happen to be alive when picked up, then on your recovery you are fined for having been in their way. This teaches
you to be wary of them.
One afternoon Harris took a "bummel" by himself. In the evening, as we sat listening to the band at the
Belvedere, Harris said, a propos of nothing in particular, "These Germans have no sense of humour."
"What makes you think that?" I asked.
"Why, this afternoon," he answered, "I jumped on one of those electric tramcars. I wanted to see the town, so I
stood outside on the little platform−−what do you call it?"
"The Stehplatz," I suggested.
"That's it," said Harris. "Well, you know the way they shake you about, and how you have to look out for the
corners, and mind yourself when they stop and when they start?"
I nodded.
"There were about half a dozen of us standing there," he continued, "and, of course, I am not experienced. The
thing started suddenly, and that jerked me backwards. I fell against a stout gentleman, just behind me. He could
not have been standing very firmly himself, and he, in his turn, fell back against a boy who was carrying a
trumpet in a green baize case. They never smiled, neither the man nor the boy with the trumpet; they just stood
there and looked sulky. I was going to say I was sorry, but before I could get the words out the tram eased up, for
some reason or other, and that, of course, shot me forward again, and I butted into a white−haired old chap, who
looked to me like a professor. Well, HE never smiled, never moved a muscle."
"Maybe, he was thinking of something else," I suggested.
"That could not have been the case with them all," replied Harris, "and in the course of that journey, I must
have fallen against every one of them at least three times. You see," explained Harris, "they knew when the
corners were coming, and in which direction to brace themselves. I, as a stranger, was naturally at a disadvantage.
The way I rolled and staggered about that platform, clutching wildly now at this man and now at that, must have
been really comic. I don't say it was high−class humour, but it would have amused most people. Those Germans
seemed to see no fun in it whatever−−just seemed anxious, that was all. There was one man, a little man, who
stood with his back against the brake; I fell against him five times, I counted them. You would have expected the
fifth time would have dragged a laugh out of him, but it didn't; he merely looked tired. They are a dull lot."
George also had an adventure at Dresden. There was a shop near the Altmarkt, in the window of which were
exhibited some cushions for sale. The proper business of the shop was handling of glass and china; the cushions
appeared to be in the nature of an experiment. They were very beautiful cushions, hand−embroidered on satin. We
often passed the shop, and every time George paused and examined those cushions. He said he thought his aunt
would like one.
George has been very attentive to this aunt of his during the journey. He has written her quite a long letter
Three Men on the Bummel
CHAPTER VII 43