
20365INK MAGAZINEAPRIL 13–APRIL 26, 2023ISSUE #432 DUBUQUE365.COM
COVER STORY
platforms, anybody can be a patron. To
those who value knowledge and advance-
ment, taking as many opportunities as
possible to do things like support a local
film festival are the not-so-small steps
that move us all towards a bigger, brighter
picture for artists, audiences, and econo-
mies alike. No black tie attire required.
Building on the same premise, the
patronage of local events is equally sig-
nificant. Even if the arts are not your thing,
perhaps the increased quality and quantity
of Dubuque fun and entertainment options
are. Event coordination is no easy or inex-
pensive feat, and the greater the turnout at
our existing events, the more likely we are
to experience growth in regard to other
local entertainment. And, in the case of
an expansive and collaborative event like
this, patronizing JDIFF means simultane-
ously patronizing other staple Dubuque
businesses that most locals would love
to continue to see flourish. Some loca-
tions involved include, but are not limited
to, Phoenix Theatres, Five Flags Center,
the National Mississippi River Museum
& Aquarium, The Grand Opera House,
and Hotel Julien Dubuque. The economic
benefits, however, are felt by many more,
with the event bringing in around half a
million dollars in revenue to Dubuque-area
businesses on average each year, and last
year’s local revenue exceeding $800,000.
For those who are less familiar with the
Dubuque area, attending festival events is
also a wonderful way to get a taste of what
this town is all about. Beyond the above-
mentioned locales, events are also taking
place at locations like Esther’s Lounge, the
Holiday Inn, and Gary Dolphin’s Iron Bar,
and attendees will undoubtedly make their
way to unocial event sites such as Paul’s
Tavern and Odd Fellows as they have in
years past. JDIFF may even oer oppor-
tunities to further explore businesses you
already know; perhaps you have visited
the National Mississippi River Museum
& Aquarium before, but have you ever
viewed a film in their Journey Theater?
While you are out and about explor-
ing Dubuque and seeing new films, you
will also have the opportunity to meet an
abundance of new and interesting people
who are excited to visit our town. With the
attendance of filmmakers and actors from
more than two dozen dierent nations
including the United Kingdom, France,
Italy, Israel, Malaysia, Estonia, Argentina,
Canada, and many more, the “Interna-
tional” in Julien Dubuque International
Film Festival is no exaggeration. Further-
more, the event brings both domestic cre-
ators and viewers from across the country;
according to Gorrell, it has even garnered
groups of regulars who travel here annu-
ally, visiting from cities such as Des Moines,
Chicago, New York, and Los Angeles, just
to see what will be shown at the event.
In addition to bringing a globally diverse
crowd of individuals to Dubuque, the
event also draws in some big names each
year. George R. R. Martin, author of the
popular novels adapted into the HBO hit
series, Game of Thrones, will be attending
the event with his latest short film, Night
of the Cooters. Actor Jonathan Del Arco,
who you may know from television series
such as Star Trek: The Next Generation,
The Closer, and Major Crimes, will be here
with The Grotto. Vivian Kerr, an actress and
director known best for her work in the
movie Scrap, as well as her role on Grey’s
Anatomy, and the highly accomplished
Welsh actor, Ian Puleston-Davies, will also
be in attendance along with many other
familiar faces from movies and television.
If the thought of meeting some of these
individuals leaves you feeling starstruck
and a little speechless, worry not. Screen-
ings are followed up with 30-minute Q & A
panels with filmmakers, actors, and other
creators on the project, oering a great,
no pressure way to meet and hear from
the travelers and celebrities of interest
to you. Be sure to check the schedule of
events to confirm that filmmakers will be in
attendance of the specific screenings you
plan to attend if you wish to meet them;
opportunities for collaboration on future
projects as well. This built-in support for
movie makers, in addition to any from
crowdfunding and social media sources,
provides them with leverage that may very
well be the dierence between acquiring
a desirable distribution deal or the movie
making it onto a preferable streaming
platform. Past JDIFF winners, such as
Mysterious Circumstance: The Death of
Meriwether Lewis by Clark Richy, who
won Best Feature in 2022, often go on
to make such deals following the event.
You may be thinking that this event
sounds great for filmmakers, movie
bus, and critics, but are still wondering
why you specifically should attend. The
short answer is: this event was cre-
ated just as much for the general public
as it was for the indie film industry.
In an era of Hollywood wherein no
movie is immune to a much-chagrined
reboot, indie films are a beacon of hope-
ful originality. Fresh perspectives are
sometimes best derived from untapped
resources—sources that aren’t subject to
the same limitations as Big Entertainment.
Make no mistake, these are not low quality
movies being shown, as is assured by the
organization’s thorough selection process
and growing reputation; these are the
quality creations of skilled, independent
minds. Without studio executives worried
about bottom lines on multi-million dollar
endeavors, and in-depth market research
and test screenings employed to make
every silver screen release appeal to the
widest audience possible, a plethora of
new stories and ideas are able to emerge
in entertainment. Artists can share their
own stories and imagination in their purest
form, whether pushing societal boundar-
ies and forcing important conversations
to take place, or actualizing the kind of
entertaining genre content they them-
selves love to consume. For those reasons
and more, independent films are the
antidote to mainstream movie burnout,
and JDIFF is just the place to cleanse your
palette. Whether you like documentaries,
dramas, comedies, horror, or anything in-
between, there is something there for you.
To be a patron of the arts is yet
another great reason to attend this event.
Historically speaking, the eras in which
the arts were most appreciated and
patronized in society, were also typically
periods of great advancement in the
quality of general human life and thought;
art and knowledge seemingly prefer to
flourish concurrently. In the past, a patron
was most likely a nobleperson, royalty,
or clergy, but today, as evidenced by
the continued successes crowdfunding