
Explanatory notes 177
phaeton: a fashionable and sporting light four-wheeled carriage with open
sides in front of the seat, often drawn by a pair of horses; see also nn. to pp.34, 41.
Writers Buildings: the Daniells portrayed these, ‘so-called from being the resi-
dence of the junior part of the Gentlemen in the service of the English East India
Company’, Oriental Scenery, p.7.
35 Her fairest virtues fly: ‘Her fairest virtues fly from publick sight / Domestick
worth, that shuns too strong a light’, ‘Advice to a Lady’, ll. 53–4, Baron George
Lyttelton (1709–1773), The Poetical Works (Glasgow: Andrew Foulis, 1787), p.55.
Indostan is the land of vivacity, rather than that of sentiment: Sophia eectively
demonstrates subcontinental opportunities for both.
Calcutta Theatre: this was the theatre formerly called the New Playhouse at
Lyons Range, behind the Writers’ Buildings; it was established in 1775 by George
Williamson, an auctioneer, and lasted until 1808. The early practice, which so
interested Sophia, of female parts being played by young male actors, was soon
abandoned as more adventurous young ladies arrived in Calcutta. One such
young lady, Miss Emma Wrangham, who had won a certain notoriety in the pages
of Hicky’s Bengal Gazette during the 1780s, established what was later to become
known as ‘Mrs Bristow’s Theatre’ (she married John Bristow at Chinsurah on 27
May 27 1782) at Chowringhee in 1789. See Sushil Kumar Mukherjee, The Story
of the Calcutta Theatres, 1753–1980 (Calcutta: Bagchee, 1982); Mita Choudhury,
‘Sheridan, Garrick, and a Colonial Gesture: The School for Scandal on the Calcutta
Stage’, Theatre Journal, 46 (1994), 303–21. On fictional representations of the
Calcutta theatre; see Charles Dibdin, Hannah Hewit, or, The Female Crusoe, 3
vols (London: printed for the author, [1792]), 3: 201.; and Agnes Maria Bennett,
The Beggar Girl and her Benefactors, 7 vols (London: William Lane, 1797), 1: 45–7.
eight rupees (twenty shillings): for a ticket in the pit; as Sophia reminds us,
theatre at Calcutta was obviously entertainment for the auent; see also p.121.
Her prices exactly agree with those mentioned by Hickey as being set by Francis
Rundell, the theatre’s actor-manager, late in 1783; see Memoirs of William Hickey,
ed. Alfred Spencer, 4 vols (London: Hurst & Blackett, 1913–25), 3: 207.
the London Hotel: the London Tavern was south of Tank Square; Sophia
warms to the topic of exorbitant prices in Calcutta. Eliza Fay informs us that
subscription assemblies were held at both the London Tavern and the Harmonic
Tavern in the Loll Bazaar; see Original Letters, p.192.
36 coee-houses: a ‘dish of coee’ costs ‘a rupee (half a crown)’, but allows you
perusal of English newspapers, together with the [India Gazette, or ] Calcutta
[Public] Advertiser (1780–1843), the Calcutta Chronicle (1786–98), etc. Most of
the material concerning prices at the London Hotel and the coee-houses is
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