
FRANKLIN & MARSHALL COLLEGE 2022–2023 CATALOG 63
210. Modernism and Modernity. (H)
In this course, we’ll explore how modernist writers—such as James
Joyce,VirginiaWoolf,EzraPound,W.B.Yeats,AndréBreton,andT.S.
Eliot—rebelled against the literary conventions of their day. In stunning,
iconoclastic verse and prose, these writers turned to surrealist mind games,
stream of consciousness narration, Freudian psychology, experimental
cinema,andjazz-inectedmetapoemstoquestionthemeaningofliterature
itself.Someissueswemayconsider:literaryconstructionsofmindand
self,earlytwentieth-centurygenderroles,WWI,Irishindependence,mass
entertainment,Futurism,Imagism,andbodies/machines.(Post-1800)
Abravanel
257. African American Literature II:
Meaning of the Veil and African American Identity. (H)
In The Souls of Black Folk (1903), the African American writer W.
E. B. Du Bois introduces two concepts—the “veil” and “double-
consciousness”—to explain the black experience in America. This
course, which coversAfricanAmerican literature from Reconstruction
totheHarlemRenaissance,theBlackAesthetic/BlackPowermovement
and beyond, will examine the recurrence of the veil metaphor (and its
synonyms)generallyandengageDuBois’sformulation of the concept
specicallyintheculturalandhistoricalcontextsthatframethisperiod’s
literature.Wewillexplorehowwriters(PaulLaurenceDunbar,Langston
Hughes,ZoraNealeHurston,RalphEllison,ToniMorrison,etc.)engage
topics(race,gender,music,identity, etc.) that reinforce, expand and/or
complicateDuBois’smetaphor.(Post-1800.)
Same as AFS/AMS/WGS 257. Bernard
316. Harlem Renaissance. (H)
The Harlem Renaissance represented an explosion of Black cultural,
economic and political activity in the rst and second decades of the
twentieth century. Fifty years after emancipation, African Americans
were still struggling for equality and acceptance from WhiteAmerica.
Theculturalproductsoftheperiod--events,writings,music,theater,and
literature,forexample -- represented adesirebyAfricanAmericansto
forgeanew identity and nd a place inAmericandemocracy.Wewill
explore how African Americans used these cultural products to express
their history, experiences, predicaments, hopes and racial consciousness
and pride. In this course, we will examine some of the writers and the texts
of the period. Same as AFS/AMS 316. Bernard
ELECTIVES
161. Science Fiction. (H)
Comprisingabroad survey of twentieth- and early twenty-rst-century
sciencection,ourreadingswillinclude4novelsandnumerousworksof
shortction.Althoughsciencectionhasitsrootsmuchearlierinliterary
history, we’ll begin in the so-called “Golden Age” of science ction
(beginninginthe‘30’s),thenmovethroughthe“NewWave”thatbegins
inthe‘60’s,Cyberpunkandmore. Mueller
164. Fictions of Adolescence. (H)
This course explores the idea of adolescence through narrative ction.
How does narrative dene and construct the adolescent experience
through time? Attention will be paid to issues of gender as well. Texts
include: Mark Twain’s The Adventures of Huckleberry Finn; Louisa
May Alcott’s Little Women;SylviaPlath’sThe Bell Jar;JohnKnowles’
A Separate Peace; Suzanne Collins’ The Hunger Games and Peter
Cameron’s Someday This Pain Will Be Useful to You. Hartman
165. Violence, Truth, and Story. (H)
This course examines the literature of human rights and trauma: stories
respondingtotheU.S.CivilWar,theHaitianrevolution,andtheRwandan
genocide,aswellas murder,suicide, and PTSD. Despitetheircontent,
the texts we study aren’t dominated by horric images. Instead, they
approach their subjects through unconventional narrative forms. We’ll
work to understand how and why they do so—to come to terms with the
complexities of stories about violent experiences. Goldberg
169. Caribbean Literature. (H) (NW)
What is Caribbean literature? Some writers and scholars question the
identity of a region of so many diverse languages, races, ethnicities,
religions, and nations. At the same time, others argue for the coherence of
aregionmarkedbyahistoryofEuropeancolonizationandslavery.This
coursewillfocusonanglophone(English-language)Caribbeanliterature
of the twentieth century, a rich and varied body of work that has recently
producedtwoNobelPrizewinners,DerekWalcottandV.S.Naipaul.In
this course, we will explore how this literature grapples with issues of
race, gender, nationalism, independence, decolonization, the ethics of
violence, the importance of vernacular expression, and the formation of a
literary tradition. Same as AFS 169. Abravanel
182. Tolkien’s Mythology. (H)
J.R.R.Tolkien’sThe Lord of the Rings is often described as one of the
mostimportant andinuentialnovelsofthetwentiethcentury, yetitis
commonly banished from the literary canon. Why is this? This course
examines Tolkien’s role as an author of popular ction as well as of
“great”literature,andwilladdressthefollowingquestions:whatisthe
relationshipbetweenTolkien’s scholarship andhis ction, between the
medieval text that informed his intellectual life and his novels? To what
extent do Tolkien’s experiences during the Great War affect the mythology
of Middle Earth? Is The Lord of the Rings good literature, and what kinds
ofcriteriadoreadersandcriticsuseinansweringthisquestion?Readings
include The Lord of the Rings, Beowulf, Sir Gawain and the Green Knight,
and selections from the Silmarillion. Same as LIT 182. Huber
229. Writing and Community. (H)
This Community-Based Learning course will give students the
opportunitytobothexperienceandreectupontheroleofthecreative
writer-as-educator-and-or-arts-activist. In class we will engage in
exercises designed to increase our understanding of writing as both craft
andpractice.Studentswillproducesignicantwrittenworkforthecourse,
includingpoems,ction,andessays,journalentries,lessonplans,anda
nalessayandportfolio.Theywillalsoworkinteamstoleadcreative
writing workshops in the Lancaster community. Sherin Wright
231. Women Writers I. (H)
AstudyoftheexperiencesofwomenaspresentedinselectedBritishand
AmericanliteraturefromtheMiddleAgesthroughthe19thcentury,as
presented from a variety of cultural perspectives. We will consider various
readings of the texts, including those that emphasize feminist theory
and historical context. Among others, we will be reading Jane Austen,
Aphra Behn, Anne Bradstreet, the Brontës, George Eliot and Mary
Wollstonecraft. Same as WGS 231. Hartman
233. Women Writers II. (H)
Astudyof thechanging world ofAmerican and British women in the
20th century as portrayed by women writers. The critical emphasis will
be on feminist theory and the political, social and cultural background of
the times. Among others, we will read works by Margaret Atwood, Toni
Morrison,SylviaPlath,AdrienneRich,AnneSexton,EdithWhartonand
Virginia Woolf. Same as WGS 233. Hartman
250. Contemporary American Short Story. (H)
AnexaminationofthecurrentstateofAmericanshortction.Wewillread,
discuss, and write about arguably important short stories, most published
withinthepast25years,inanattempttoexploresomeofthepredominant
concerns and formal innovations of today’s short story writers. We will
not consider these writers in a vacuum but rather in the context of those
writerswhohaveprecededthem.WritersincludeRaymondCarver,Denis
Johnson, Junot Diaz, George Saunders,Alice Munro, and others. This
course counts as a “contemporary literature” requirement for English
majors with a concentration in creative writing. Montemarano
253. Epic and Romance. (H)
This course focuses on epic and romance: two genres of ancient literature
which mutually inform and inuence each other, and both of which
formulatethefoundationsandinspirationsofpopular21st-centurygenres
ofction(fantasy,sciencection,romance,amongothers).Readingswill
be selected from texts including Homer’s Iliad and Odyssey, the Irish
Táin Bó Cúailnge(The Cattle Raid of Cooley), Beowulf, the Arthurian
romances of Chrétien de Troyes, Sir Gawain and the Green Knight, and
Geoffrey Chaucer’s Troilus and Criseyde. Our discussions will focus
on the formation of the notion of heroism, and examine various stages
in the development of concepts of heroism in western culture, and the
cultural fantasies that accompany it. Above all, epic and romance concern
themselveswiththeprocessandproblematicsofself-denition,thatof
the individual and of the community as a whole. The course addresses