
Agence Eliane Benisti - 43
A hilarious and timely illustrated bedtime (fantasy) story for adults (and young adults).
OFF: The Day the Internet Died (A Bedtime Fantasy)
by Chris Colin, illustrated by Rinee Shah
Prestel, Fall 2020
OFF shows us how weird and wonderful it would be if the Internet was
banished from existence, in the Biblical sense, as it probably should be. It’s
GO THE F*CK TO SLEEP for the tech-addicted masses and might possibly save
the world! OFF is for the millions of anxious college kids, parents, and
previously functional people touched by the Internet, all around the world,
ages 18 to 65. It crosses business, psychology, humor, and lifestyle. Basically,
it’s a fantasy priced at the low low price of…a book.
Chris Colin contributes to The New York Times Magazine, Outside Magazine, Pop-Up Magazine, Afar Magazine,
Wired and many other publications. He has a piece in this year’s Best American Science & Nature Writing. He’s
the co-author of What to Talk About, as well as What Really Happened to the Class of ’93 and Blindsight, named
one of Amazon’s Best Books of 2011, and This Is Camino which was nominated for a James Beard Award. He lives
in San Francisco with his family.
Rinee Shah is a former art director (The New York Times, Apple) and illustrator in San Francisco, CA. Her
illustration projects have been featured in Dwell, Fast Company, Juxtapoz, Mashable, and the Huffington Post.
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An examination of human nature at our truest, and the inhuman lengths some take for success, some take
for peace, and others, ultimately, take for justice.
BENEFACTION
by Katie Lattari
Sourcebooks, Spring 2021
Coral Dunn struggles with depression and suicidal tendencies. She inflicts self-harm to
crack the tension within, but she also draws, paints, and writes what she’s feeling for
release only as violent as her imagination. When she befriends a fellow artist at the
Lupine Valley Arts Collective in northern Maine, she thinks she may have found true
respite from her pain. But he has a use for her of his own, and it’s far too late, once
he’s mined her deepest vulnerabilities, to escape his plan. Decades later, Audra Colfax
is the star Painting MFA student at the Boston Institute for the Visual Arts. A gifted
artist like Coral, she too is from the wilds of Maine. There, at her remote family home,
she’s put the final touches on her thesis project, “Benefaction.” It’s a vivid collage of Coral’s works found
scattered around the property and her own, enmeshed to tell a story of a dark past that ties the two women
inextricably. It’s ready for her advisor, the esteemed Max Durant, to come up and review. He won’t know Audra
obsessively engineered every last detail of his visit. Or that it had to be him from the start, advising her, so she
could get to him by doing what he does best. She’d use what she’s inherited to lure him back to Maine. He has
no idea she knows his worst secret, and that it’s the sole reason why he’s been invited.
What comes to light, chapter by spellbinding chapter, is that one grand, grotesque act of selfishness
committed by Max as a young man, followed by years of manipulating women for art, has set into motion the
machinery of his own fatal undoing. The man should pay for his crimes, and no one is more deserving of revenge
than the women to whom he owes his career. Audra is well aware he’s a monster, but she doesn’t know