
First Nations Employment Index 2025 3
Ena’s Ngapuju [‘nana’] carrying toilet waste for
kartiya at Jinparrak is a brave celebration of
Gurindji Freedom Day – the day Gurindji people
commemorate their walk away from slavery and
inequality, deplorable working conditions and
destitution. Ena was a young girl at the time
of the Gurindji Wave Hill Walk-o on 23 August
1966. The painting celebrates that the kajirri (old
women) no longer work in degrading roles such
as those they endured while under the control of
the Vestey Company and the kartyia (white men)
who ruled their lives through force and terror. At
rst, Ena found it dicult to represent this story as
she thought it might bring shame on her ngapuju
but she then realised that theirs was a powerful
story and she was proud to represent her ngapuju
through this very graphic and public medium.
Ena Oscar Majapula Nanaku
speaks about her painting:
“The painting is about my ngapuju (‘nana’), Judy
Kutuwumpu, who used to carry a wooden yoke
and buckets to get the dirty toilet waste from the
kartyia, the white station people. One bucket was
for soapy water and the other for dirty water. She
used to take it right around, far from the main
building to the jackaroos’ quarters, to the manager’s
house, and then to the top and bottom quarters.
She used to clean out the toilets and chuck it far
away and wash the toilets, over and over again.
There were two of them working together. The
other one was my other nana, Lena. They were
both married to one husband, Butcher George.
They used to take the buckets a long way to the
west to the big creek, throw out the contents,
and come back. One building used to be there
– it is here in the painting – it is an outhouse.
They used to put the clean buckets in there.
There’s a jackaroo in the painting just as a symbol.
That kartyia’s got a hat in his hand. And the tree
is a wanyarri (native bauhinia). Here on the left are
the windbreaks, humpies made of branches and
leaves, where people would sit by the re in the cold
season. The women and girls used to wait there
for work. Every morning, they would come up from
the camp and make a re, have breakfast and stay
there waiting for work. The footprints are where
the two women, Judy and Lena, went all around.
I was happy doing this painting, but it made
me feel sorry for the hard work they did for
kartiya. You know they didn’t used to get paid.
They used to work for sugar and tea-leaf, our.
Every Friday they used to get rations.”
We would like to extend heartfelt thanks
to Karungkarni Art and Culture Aboriginal
Corporation, and Ena Oscar Majapula Nanaku
and her family, for this artwork and story.
Ena Oscar Majapula Nanaku (1957–2024)