Howard Arkley - Bibliography PDF Free Download
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Howard Arkley - Bibliography
1970
McCulloch, Alan. “New Exhibitions.” The Herald 18 Nov. 1970: 25.
1973
Makin, Jeffrey. “Corio Prize Misses the Regulars: Talented New Breed Step In.” The Sun 5 Dec. 1973.
McCulloch, Alan. “A Try for Equations” The Herald 30 Aug. 1973.
1975
Boles, Bernard. “The 1975 Inez Hutchinson Award.” Nation Review 20-26 June 1975.
Gilchrist, Maureen. “Different Ways Point to Same Deadlock.” The Age 30 April 30 1975.
Makin, Jeffrey. “Window on a World Apart.” The Sun 23 April 1975.
McCulloch, Alan. “Benalla Parades 100 Years of Art.” The Herald 23 April 1975.
McCulloch, Alan. “Bendigo Tribute to a Pioneer.” The Herald 19 June 1975.
1976
Boles, Bernard. “Missing a Ride into Darkness.” Nation Review 1976 {date unknown; Arkley archive}.
Gilchrist, Maureen. “Optical Dazzle and Size.” The Age 25 August 1976.
Makin, Jeffrey. “The Vision of an Abstract.” The Sun 25 August 1976.
McCulloch, Alan. “A Sense of Delight.” The Herald 19 August 1976.
1977
Alliance-Francaise (Melbourne). “Prix Des Beaux Arts (Un Australien à Paris).” Alliance Express
Bulletin 18 (1977).
Borlase, Nancy. “Art.” Sydney Morning Herald May 1977 {date unknown; Arkley archive}.
Pidgeon, W.E. “Keeping It Cool.” Sunday Telegraph 22 May 1977.
Sturgeon, Graeme. “Art for the People.” The Australian 12 March 1977.
1978
Eagle, Mary. “Show Maps out the New Style.” The Herald June 1978 {date unknown; Arkley archive}.
1979
Makin, Jeffrey. “Conditioning on the Canvas.” The Sun 23 May 1979.
Rooney, Robert. “Emphasis on Younger Set.” The Age 19 Dec. 1979.
Sturgeon, Graeme. “End of a Theory…” The Australian 30 May 1979.
1980
Triaca, Maria. “It’s a Dotty World.” The Sun 4 August 1980.
1981
Borlase, Nancy. “The Answer to the Biennale Is Good.” Sydney Morning Herald 30 May 1981.
Burke, Janine. “Bringing It All Back Home: Some Thoughts on Recent Abstract Painting.” Art in
Australia 18.4 (1981): 370-74.
Kaleski, Sonja. “Compelling Experience Worth a Look.” Canberra Times Oct. 1981 {date unknown;
Arkley archive}.
Makin, Jeffrey. “Pattern Laced with Illusion.” The Sun 29 July 1981.
McGrath, Sandra. “Perspecta ’81.” The Weekend Australian 30-31 May 1981.
Millar, Ronald. (Review). The Herald 16 July 1981.
Murphy, Bernice, ed. Australian Perspecta 1981. Sydney: Art Gallery of New South Wales, 1981.
Rooney, Robert. “Patterns of Arkley.” The Age 15 July 1981: 10.
Taylor, Paul. “Australian ‘New Wave’ and the ‘Second Degree’.” Art & Text 1 (Autumn 1981): 23-32.
Taylor, Paul. “Commercial Galleries.” The Age Weekender 7 Aug. 1981.
Taylor, Paul (intro.). Howard Arkley – Muzak Mural. Brisbane: Institute of Modern Art, 1981.
1982
Armiger, Martin. “Pushing the Art of Pop.” National Times 11-17 July 1982: 24-25.
Eagle, Mary. “Things Fall Apart: The Visual Arts in Melbourne.” Australian Art Review 1982: 52-54.
Lane, Terry, & Minchin, Jan. Formed in Wood: Australian Furniture from Early Colonial Times to the
Present Day. Heidelberg: Banyule Gallery [NGV], 1982.
Maslen, Geoff. “Fine Artistry in Wood Traces Past.” The Age 30 March 1982: 21.
McBride, Frank. “Size, Space and Color.” Illawarra Mercury 5 March 1982.
Tate, Susan. “The Mediated Image: ‘Something in the Air’”. The Virgin Press 1982: 4-6.
Taylor, Paul. Popism. Melbourne: National Gallery of Victoria, 1982 [catalogue].
Taylor, Paul. “Popism.” Real Life 9 (Winter 1982/83): 14-20.
Webster, Sue. “Visitors Add Vitality: Current Trends in Contemporary Art in Queensland.” Australian
Art Review 1982: 56-58.
Tulloch, Lee. “Remember Pop? New Contemporary Artists Swing into Popism.” Vogue Australia July
1982: 40.
1983
Carmichael, Rod. “Erasing the Drawn Line.” The Sun 2 Nov. 1983.
Holloway, Memory. “Calmer Booth Reverses Expectations.” The Age 9 Nov. 1983.
Holloway, Memory. “The Pattern of the Decade.” The Age 17 June 1983.
Ingram, Terry. “The State of Art in Australia.” Australian Financial Review 16 Sept. 1983: 29-30.
Lindsay, Robert. Against the Wall: Young Contemporary Artists Selected from the Michell Endowment
of the National Gallery of Victoria. Melbourne: Melbourne University Gallery, 1983.
Lindsay, Robert. Vox Pop: Into the Eighties. Melbourne: National Gallery of Victoria, 1983.
Lynn, Elwyn. “Twenty Years: Australian Art 1963-83.” Art & Australia 21.2 (1983): 197-207.
McGrath, Denise. Comic Stripping. Melbourne: George Paton Gallery, University of Melbourne, 1983.
McGrath, Sandra. “Colorful Change in Landscapes.” The Weekend Australian 18-19 June 1983.
Millar, Ronald. “Well, It Figures!” The Herald 27 Oct. 1983.
Murphy, Bernice. “Recent Painting in Australia.” Flash Art 110 (1983): 56-59.
Rooney, Robert. “Stripping Off Comics’ Stigma.” The Australian 11 June 1983.
Rooney, Robert. “Cool Mood Has a Cutting Edge.” The Weekend Australian 6-7 Aug. 1983.
Rooney, Robert. “Successful Fusion of the Abstract with the Figurative.” The Weekend Australian 5-6
Nov. 1983.
Rooney, Robert. “Of Vox Pop and Whence It Came.” The Weekend Australian 24-25 Dec. 1983.
Taylor, Paul. “From Menswear to Womenswear: A Melbourne Mood.” Tension 1 (1983): 30-32.
Taylor, Paul. “Popism – the Art of White Aborigines.” Flash Art 112 (1983): 48-50.
Thomas, Daniel. A Melbourne Mood: Cool Contemporary Art. Canberra: Australian National Gallery,
1983.
Transporting Art: Melbourne’s Painted Trams. Melbourne: Victorian Ministry for the Arts, 1983.
1984
—. ['D.H.']. “Size and Mystery.” Daily News [New Zealand] 5 Sept. 1984.
Brophy, Philip. “A Face without a Place: Identity in Australian Contemporary Art since 1980.” Art &
Text 16 (Summer 1984): 68-80.
Buxton, Irene. “Exhibition by Australian Artists at Np.” Daily News [New Zealand] Sept. 1984 {issue
date unknown; copy in Arkley archive}.
Clarke, Anthony. “Contemporary Art Explosion.” The Age 19 May 1984.
Cole-Adams, Peter. “Art Joins the Oz Seduction of Big Apple’s Cultural Core.” The Age 25 Sept. 1984.
Cramer, Sue. “Vox Pop (Review).” Art & Text 12 & 13 (1984): 136-42.
Cramer, Sue. “A Change of Place, Change of Meaning.” The Age 17 Aug. 1984: 14.
Cramer, Sue. “Three Rooms with a Very Different View.” The Age 30 May 1984.
Cramer, Sue. “Comic Stripping: A Review of an Exhibition Held at the George Paton Gallery.” Art
Network 12 (Summer 1984): 16-17.
Engberg, Juliana. “Australian Visual Artists at the Edinburgh Festival, 1984.” Studio International 197
(1984).
Hill, David. “Can The “C” Stand for Cultural?” The New Zealand Listener 27 Oct. 1984.
Holloway, Memory. The Australians: Three Generations of Drawings. New York: CDS Gallery, 1984.
Larson, Kay. “Upstarts from Down Under.” New York 8 Oct. 1984: 60-61.
Levin, Kim. “They Came from Down Under…” Village Voice 9 October 1984.
Maloon, Terence. “Lewitt and Arkley Show Why Young Artists Still Dare to Be Different.” Sydney
Morning Herald 12 May 1984.
Mason, Murray. “Glimpses of Twenty Artists.” The West Australian 3 Feb.1984.
McCulloch, Alan. Encyclopedia of Australian Art. 1st ed. Melbourne: Hutchinson, 1984.
McGrath, Sandra. “Art World’s Fluctuating Fortunes.” The Weekend Australian (magazine) 12-13
May 1984: 10.
Murche, John. “Antipodean Art Makes a Splash at Edinburgh.” The Australian 20 August 1984.
Prott, Julie. “New Expressionism Is a Ghostly after Image.” Sunday Times [W.A.] 4 March 1984.
Robinson, Denise. Meaning & Excellence: Australian and New Zealand Artists in Edinburgh. ANZART,
1984.
Snell, Ted. “The Return of Figuration and Image: Cogent and Powerful.” The Australian 21 Feb. 1984.
Taylor, Paul, ed. Anything Goes: Art in Australia 1970-1980. Melbourne: Art & Text, 1984.
1985
Buckley, John, & Crawford, Ashley. Visual Tension [Special Issue of Tension]. Melbourne: ACCA, 1985.
Neeson, John. 6 Drawing. Hobart: Tasmanian School of Art Gallery, 1985.
Prott, Julie. “Arkley Masters Optical Effect and Illusion.” Sunday Times [W.A.] 10 Feb. 1985.
Robinson, Denise. “Meaning & Excellence.” Art Network 14 (Summer 1985): 33-35.
Rooney, Robert. “Exhibits Add to an Excess of Meaning.” The Weekend Australian 9-10 March 1985.
Snell, Ted. “Art (Review).” Western Mail [W.A.] 16-17 Feb. 1985.
Spens, Michael. “Meaning & Excellence.” Art Network 14 (Summer 1985): 35-36.
Thorn, Peter, & others. “Edinburgh Update.” Art Network 14 (Summer 1985): 3-4.
Trebilcock, Jon. “Meaning and Excellence at George Paton Gallery.” Farrago 8 March 1985: 5.
1986
Austin, Val. 5AR: Artists and Architects ’86 [Special Catalogue Issue of Transition No.17]. Melbourne:
George Paton Gallery, 1986.
Catalano, Gary. “Exhibition Proves a Pleasure.” The Age 1 Oct. 1986.
Duncan, Jenepher. “A Forced Marriage: 5AR: Artists and Architects ’86. Ewing and George Paton
Gallery, Melbourne.” Studio International 199 (Dec.1986/Feb.1987): 54-55.
Edquist, Harriet. “Artist and Architect.” Transition: Discourse on Architecture 17 (1986): 18-31.
The Hugh Williamson Prize ’86. City of Ballarat Fine Art Gallery, 1986.
Lindsay, Robert. Australian Art 1960-1986: Field to Figuration: Works from the National Gallery of
Victoria. Melbourne: NGV, 1986.
Lowe, Geoff. Slouching Towards Bethlehem: An Exhibition of Preparatory and Informal Drawings.
Fitzroy: 200 Gertrude Street, 1986.
Nixon, John. Primal Painting. Bulleen: Heide Park and Art Gallery, 1986.
Rooney, Robert. “Go on, Throw a Brick.” The Weekend Australian 21-22 June 1986.
Rooney, Robert. “In Search of the Younger Artists.” The Australian 30 Sept. 1986.
Williams, Caroline. 33 Men Painters (the Male Sensibility?). Bulleen: Heide Park & Art Gallery, 1986.
1987
Buckley, John. The Loti and Victor Smorgon Collection of Contemporary Australian Art. Melbourne:
Australian Centre for Contemporary Art, 1987.
Button, James. “Art Makes Science Its Subject.” The Age 26 Nov. 1987.
Cass, Naomi, & others. What is this Thing Called Science, University Gallery, University of Melbourne,
1987.
Catalano, Gary. “Science Is Not Yet Alien to Art” The Age 27 Nov. 1987.
Clark, Tony. Ormond College Welcomes New Art. Parkville: Ormond College, University of Melbourne
1987.
Collins, Lynn. “New Stream of Consciousness Tackles Environmental Issues.” The Advertiser 26 Nov.
1987: 29.
Dumbrell, Lesley. Ten by Ten: 1975-1985. Melbourne: 200 Gertrude Street, 1987.
Engberg, Juliana. “Indigenous, Indelible Arkley.” Art and Australia 24.3 (1987): 383-87.
Lindsay, Robert, ed. Young Australians (Budget Collection). Melbourne: Powell Street Gallery, 1987.
McDonald, John. “The Art of Endless Suburbs.” Sydney Morning Herald 5 Sept. 1987.
Morrell, Timothy. “Art Furniture in the Eighties.” Follow Me. June/July 1987: 114.
Petelin, George. “An Inspiring Celebration with Rich Exuberance.” The Australian 19 June 1987.
Rooney, Robert. “Cursory Curating Is Such a Doddle.” The Weekend Australian 12-13 Dec. 1987.
Rooney, Robert. “Marveling at This Thing Called Science.” The Weekend Australian 5-6 Dec. 1987.
Ryan, Mary-Ellen. “The Art-Science Alliance.” The Herald 23 Nov. 1987.
Woolcock, Phyllis. “Variety – Six Artists in Three Galleries.” Courier-Mail [Brisbane] 25 June 1987.
1988
Australian Commercial Galleries’ Association. ACAF1: First Australian Contemporary Art Fair.
Melbourne: ACGA, 1988.
Brown, Richard. “Curatorial strategies.” Tension 13 (June 1988): 34-36.
Brown, Richard, & Trioli, Virginia. Howard Arkley Casual Works – Working Drawings, Source Material,
Doodles 1974-1987. Fitzroy: 200 Gertrude Street, 1988.
Catalano, Gary. “Ideas Both Present and Obscure.” The Age 24 Aug. 1988.
Crawford, Ashley. “Artists Reject Gallery Man.” The Herald 9 Dec. 1988.
Engberg, Juliana. “On the Street Where You Live: Howard Arkley’s Houses & Homes.” Agenda 1.2
(1988): 26.
Engberg, Juliana. “Circumstantial Evidence.” Agenda 1.1 (1988): 31.
Engberg, Juliana, ed. Suburbanism. Melbourne: George Paton Gallery, 1988.
Heathcote, Christopher. “La Boheme.” Agenda 1.1 (1988): 22-23.
Lynn, Elwyn. “Arresting and Monumental.” The Weekend Australian 16-17 Jan. 1988.
Murdoch, Anna. “The Director of Contemporary Art Resigns.” The Age 13 Dec. 1988.
Nixon, John. La Boheme. Melbourne: City Gallery, 1988.
Rooney, Robert. “A Blow for Bohemia.” The Weekend Australian 21-22 May 1988.
Rooney, Robert. “The Cockroach as Critic.” The Australian 18 May 1988: 14.
Rooney, Robert. “Home on the Range.” The Weekend Australian 20-21 Aug. 1988.
Smith, Terry. “Old Sidney Falters as Young Sydney Takes Its First Bow” Times on Sunday 10 Jan. 1988:
27.
Symington, Fiona. “Suburban Mythologies.” Agenda 1.3 (1988): 26.
Watson, Bronwyn. “Storerooms Become Show Rooms.” Sydney Morning Herald 15 Jan. 1988.
1989
Arkley, Howard. “A Suburban Aesthetic.” Farrago/Griffin 68.1 (1989).
Brown, Richard. “Spraying the Suburban Dream: Howard Arkley.” Tension 18 (1989): 35-39.
Ellis, Peter, & Cattapan, Jon. The Intimate Object. Melbourne: 200 Gertrude Street, 1989.
Lingard, Bob, & Cramer, Sue, ed. Institute of Modern Art: A Documentary History. Brisbane: Institute
of Modern Art, 1989.
McAuliffe, Chris. “Suburbanism.” Art & Text 31 (Dec.1989/Feb.1990): 71-73.
Te Koha, Nui. “Library Blasted over Art Buy.” The Sun 28 April 1989.
1990
Bain, Ruth, & others. Greenpeace Artists’ Benefit – the Greenpeace Fund-Raising Exhibition.
Melbourne: Linden Gallery, 1990.
Bolton, Ken. “The Complex Picture.” Art + Text 36 (1990): 130-31.
Crawford, Ashley, & others. “From Leantime to Dreamtime: A Chronicle of Australian Art 1980-1989
(Special Edition).” Tension 19 (1990).
Duncan, Jenepher, ed. From the Homefront: Robert Rooney – Works 1953-1988. Clayton: Monash
University Gallery, 1990.
Gates, Merryn. Re: Creation / Re-Creation: The Art of Copying, 19th & 20th Centuries. Clayton:
Monash University Gallery, 1990.
Hill, Peter. “Artists Join Together to Extend Their Concerns.” The Age 23 August 1990.
Lew, Christina. “Artists Rally for an Old Source of Inspiration.” The Melbourne Times 25 July 1990: 11.
Morrell, Timothy. The Complex Picture: Australian Painting in the 1980s. Adelaide: South Australian
College of Advanced Education, 1990.
Trioli, Virginia. “The Green-Art Effect.” The Age 6 July 1990 (EG cover story).
Trioli, Virginia. “‘Head Show’ Exhibition Is a Myth You Can Take at Face Value.” The Age 26 October
1990: 16.
Zdanowicz, Irena. New Acquisitions, Department of Prints and Drawings: A Selection of Works
Acquired 1986-1990. Melbourne: National Gallery of Victoria, 1990.
1991
Clark, Tony. “Howard Arkley.” In HA: Howard Arkley. Ed. Jenepher Duncan. Clayton: Monash
University Gallery, 1991. 5-6.
Duncan, Jenepher, ed. HA: Howard Arkley. Clayton: Monash University Gallery, 1991.
Engberg, Juliana. “Urban Myths – Two Exhibitions (HA/Howard Arkley; Vis-a-Vis Susan Norrie).”
Transition: Discourse on Architecture 36/37 (1991): 168-71.
Engberg, Juliana. “Don’t Look Now Mrs. Cravitts.” In Neighbours. Ed. David O’Halloran. Parkdale,
S.A.: Contemporary Art Centre of South Australia, 1991.
National Australia Bank Collection: Rivers in Australian Art (Exh.Cat.). Bulleen: Heide 1991.
O’Halloran, David, ed. Neighbours. Parkside, S.A.: Contemporary Art Centre of South Australia, 1991.
Phipps, Jennifer, ed. Off the Wall / In the Air: A Seventies Selection. Clayton: Monash University
Gallery, 1991.
Rooney, Robert. “Controlling the Chaos with Fluorescent Dazzle.” The Weekend Australian 9-10 Nov.
1991.
Trioli, Virginia. “Spraying Suburbia.” The Age 22 November 1991, EG: 1, 13.
Zika, Paul. The Total Look: Locating Furniture. Hobart: Plimsoll Gallery, Centre for the Arts, 1991.
1992
Edgar, Ray. “If Suburbia Is Boring, What About Art?” Melbourne Times 11 Nov. 1992.
Gates, Merryn. Domino I: Collaborations between Artists. Melbourne: Ian Potter Gallery, University
of Melbourne, 1992.
Gregory, John. Howard Arkley: Mix’n Match: A Series of Suburban Interiors. South Yarra: Tolarno
Galleries, 1992.
Rooney, Robert. “Turning Suburbia Inside Out.” The Australian 21 Nov. 1992.
Sowden, Tim. “Howard Arkley at Monash University Gallery, Melb.” Agenda 22 (1992): 28.
1993
Garside, Sioux, ed. Chandler Coventry: A Private Collection. Campbelltown: Campbelltown City Art
Gallery, 1993.
Gibson, Jeff. High Pop. Sydney: Roslyn Oxley9, 1993.
Goodman, David, & others. “Howard Arkley Mix’n Match (Reviews).” Artfan 1 (Spring 1993).
O’Connell, Stephen. “Review of Howard Arkley: Mix’n Match.” Art & Text 44 (1993): 79-80.
Stewart, Kathleen. Louis: A Normal Novel. Melbourne: Minerva, 1993.
Thomas, David. Acquisitions 1992. Bendigo: Bendigo Art Gallery, 1993.
1994
Arkley, Howard. “The Naked Suburb.” World Art 1.1 (1994): 108.
Barclay, Alison. “Galleries Grab Public.” Herald Sun 16 Nov. 1994.
Crawford, Ashley. “Howard Arkley.” Polis 1 (1994): 36-37.
Edelstein, Leo. “Interview with Howard Arkley.” JCA, 11 Nov.1994 [http://www.jca-
online.com/arkley.html]
Ferber, Sarah, & others. Beasts of Suburbia: Reinterpreting Cultures in Australian Suburbs. Carlton:
Melbourne University Press, 1994.
Gibson, Rachel. “Eyes on 50 Years of Us.” The Age 9 Dec. 1994 [EG].
Harford, Sonia. “Suburban Bloke Points to the Ordinary.” The Age 23 Nov. 1994: 28.
Kelly, Sean. Beyond the Surface. Hobart: Dick Bett Gallery, 1994.
Lindsay, Robert. The Baillieu Myer Collection of the 80s, Vol. II: Collections in the Museum of Modern
Art at Heide. Bulleen: Museum of Modern Art at Heide, 1994.
McAuliffe, Chris “Out of the Desert Identity Comes: Australian Art and the Suburbs.” Polis 1 (1994):
32-35.
Stanhope, Zara, & Natalie King. Tableaux: Works from the Monash University Collection. Clayton:
Monash University Gallery, 1994.
Trioli, Virginia. “Art in the Open Market.” The Age 30 Sept.1994: 11.
Ward, Peter. “The Hit List.” The Weekend Australian 7-8 Jan. 1994.
Williams, Donald, & Simpson, Colin. Art Now: Contemporary Art Post-1970. Sydney: McGraw-Hill,
1994.
1995
Arkley, Howard, & Barry Humphries. “Imaginary Australia.” B Architekturtidsskrift [Denmark] 52/53
(1995): 95-99.
Brett, Judith. “The Circus Is in Town.” Arena 15 (Feb.-March 1995): 48-50 [review of Ferber 1984
etc.].
Deutscher, Chris. Australian Art – Colonial to Contemporary. Melbourne: Deutscher Fine Art, 1995.
Ehrlich, Rita. “Tales from the Kitchen.” The Age 1 April 1995.
Engberg, Juliana. Downtown: Ruscha, Rooney, Arkley. Bulleen: Museum of Modern Art at Heide,
1995.
Gibson, Jeff. “Los Melbos.” Art + Text 51 (1995): 20-21.
Hammond, Victoria. The Derwent Collection: Australian Art of the 1980s and 1990s. Hobart:
Tasmanian Museum & Art Gallery, 1995.
Le Couteur, Greg. “Artists under the Hammer.” The Age 27 Sept. 1995.
McKenzie, Robyn. “A Third Way to Avoid Modernity.” The Age 29 March 1995.
McKenzie, Robyn. “Black and White All Over” The Age 20 Sept. 1995.
Nelson, Robert. “That Suburban Something.” The Age 1 April 1995.
O’Donnell, Marcus. “Howard Arkley: Fantasy of Space.” Monument 5 (1995): 62-65.
Rooney, Robert. “Alun Leach-Jones, Howard Arkley.” The Australian 22 Sept. 1995.
Sayers, Andrew. Howard Arkley – White + Black: 20 Years Work on Paper and Canvas 1975-1995.
Fitzroy, Melbourne: Tolarno Galleries, 1995.
Taylor, Paul. After Andy: Soho in the Eighties. Melbourne: Schwartz City, 1995.
Usher, Robin. “In Black and White.” Herald Sun 11 Sept. 1995.
Ward, Peter. “Old Masters & Thingummyjigs.” The Australian magazine 7-8 Jan.1995: 26-28.
Williams, Donald. In Our Own Image: The Story of Australian Art. 2nd ed. Sydney: McGraw-Hill, 1995.
Barclay, Alison. “Mobile Message.” Herald Sun 16 Aug. 1996: 85.
1996
Cawthorne, Zelda. “Dream Come True.” Herald Sun 26 Aug. 1996: 65.
Duncan, Jenepher, & Stanhope, Zara. Viewing an Era: Monash University Collection. Clayton: Monash
University 1996.
Gower, Elizabeth, ed. The Art of Collecting #2. St Kilda: Linden Gallery, 1996.
Jackson, Davina. “Post Mortem: Architecture and Art in Adelaide.” Architecture Australia May/June
1996.
Marsh, Anne. “Abstract View of a Past World.” Herald Sun 17 Jan. 1996: 57.
McAuliffe, Chris. Art and Suburbia. Sydney: Craftsman House, 1996.
Morrell, Timothy, ed. Australia: Familiar and Strange – Australian Contemporary Art. Melbourne:
The Asiaink Centre of the University of Melbourne, 1996.
Nelson, Robert. “Driven to Abstraction.” The Age 17 Jan. 1996: 14.
O’Connell, Stephen. “Blue Chip Instant Decorator – Howard Arkley & Juan Davila (Interviewed).”
Globe e-journal vol.3 (1996) [http://artdes.monash.edu.au/globe/issue3/decorate.html; last
accessed 3 April 2006].
van Niekerk, Mike. “Pop Culture Called up in an Artful Earful.” The Age 13 Aug. 1996.
1997
Auty, Giles. “Drawn from Experience.” The Weekend Australian 30-31 Aug. 1997.
Boyd, Chris. “Spray: The Work of Howard Arkley.” The Big Issue 1997 {date unknown; Arkley archive}
[review of Crawford & Edgar 1997].
Cochrane, Peter. “Drawing Field ‘Wide Open’.” Sydney Morning Herald 25 Aug.1997 1997.
Crawford, Ashley, & Ray Edgar. Spray: The Work of Howard Arkley. 1st ed. Sydney: Craftsman House,
1997.
Earls, Nick. “Suburbia in Aspic.” The Australian’s Review of Books 1997 {date unknown; Arkley
archive} [review of McAuliffe 1996].
McAuliffe, Chris. “Let’s Talk About Art: Art and Punk in Melbourne.” Art and Australia 34.4 (1997):
502-12.
McAuliffe, Chris. “The Vizard Foundation Art Collection.” In The Vizard Foundation Art Collection of
the 1990s. The University of Melbourne Museum of Art, 1997.
McDonald, John. “Kedumba Drawing Award 1997.” Sydney Morning Herald 6 Sept. 1997.
McDonald, John. “Charms to Soothe a Savage Critic.” Sydney Morning Herald 29 Nov. 1997.
McKenzie, Robyn. “Pages of Reason.” Herald Sun 9 Dec. 1997 [review of Crawford & Edgar 1997].
Michael, Linda. “The Loti and Victor Smorgon Gift of Contemporary Australian Art: an Overview” In
Bernice Murphy & others, The MCA Collection: The Loti & Victor Smorgon Gift of Contemporary
Australian Art. Sydney: Museum of Contemporary Art 1997. 17-24.
Murphy, Bernice, & others. The MCA Collection: The Loti & Victor Smorgon Gift of Contemporary
Australian Art. Sydney: Museum of Contemporary Art 1997.
O’Connell, Stephen. “The Edges Are Where the Action Is.” Howard Arkley: Fabricated Rooms 1997.
Sydney: Art Gallery of New South Wales, 1997.
Pickett, Charles. The Fibro Frontier: A Different History of Australian Architecture. Sydney:
Powerhouse 1997.
Rooney, Robert. “Chris McAuliffe: Art of Suburbia.” The Australian 24 Jan. 1997 [review of McAuliffe
1996].
Rooney, Robert. “Airbrushing up the Image of Suburbia.” The Australian 12 Dec. 1997 [review of
Crawford & Edgar 1997].
Sayers, Andrew. Kedumba Drawing Award. Wentworth Falls, N.S.W.: Kedumba Gallery, 1997.
Steele, Joanna. “Arkley Just a Suburban Boy.” Herald Sun 22 Dec. 1997 [review of Crawford & Edgar
1997].
Timms, Peter. “Tomescu Swaps Intensity for Serenity.” The Age 28 Dec. 1997.
Trioli, Virginia. “Just a Suburban Boy?” The Age (Good Weekend) 8 Nov. 1997.
Usher, Robin. “Big Plans for Benalla Gallery.” The Age 12 Nov. 1997.
Watson, Bronwyn. “It Pays to Read between the Lines.” Bulletin 23 Sept. 1997.
1998
—. “The Castle – It’s Still What We Want (Spring Real Estate Special).” Sydney Morning Herald 27
Aug. 1998 [Domain section, cover story]
Arkley, Howard, & others. “The Colourists (Howard Arkley, Justene Williams, Michael Johnson).”
Vogue Australia. August 1998: 52-53.
Auty, Giles. “Tedium a La Mode.” The Weekend Australian 3-4 Oct. 1998: 23.
Carrigan, Janelle. “Loan Sweet Loan.” The Age 24 Aug. 1998 [Money & Investment section].
Coslovich, Gabriella. “Venice Makes Room for Our Suburban Boy.” Sydney Morning Herald 15 Dec.
1998: 13.
Coslovich, Gabriella. “Taking Our ‘Burbs to Venice.” The Age 18 Dec. 1998: 24.
Crawford, Ashley, & Ray Edgar. “Howard Arkley – Home Beautiful.” In Claustrophobia. Ed. Claire
Doherty. Birmingham: Ikon Gallery, 1998. 24-27.
Doherty, Claire, ed. Claustrophobia. Birmingham: Ikon Gallery, 1998.
Ingram, Terry. “Moonee Ponds’ Big Fish.” Australian Financial Review 14 Dec. 1998: 2.
James, Bruce. “Everyday: 11th Biennale of Sydney.” Sydney Morning Herald 3 Oct. 1998.
Jellie, Dugald. “Out of the Ordinary.” Sydney Morning Herald 17 Sept. 1998.
Jones, Matthew. “Patterns of Suburbia.” Herald Sun 30 Nov. 1998.
King, Natalie. Furnish. Bendigo: Bendigo Art Gallery, 1998.
Lancashire, Rebecca. “Korea-Consciousness.” The Age 13 Nov. 1998.
Maslen, Geoff. “Hey, Big Benalla Spender.” The Age 9 June 1998.
McDonald, John. “Rubbish Collection.” Sydney Morning Herald 26 Sept. 1998.
McGregor, Elizabeth A. “Claustrophobia: We’re Not in Kansas Anymore…” In Claustrophobia. Ed.
Claire Doherty. Birmingham: Ikon Gallery, 1998.
Palestrant, Vita. “The Case for Buying.” The Age 24 Aug. 1998.
Safe, Mike. “Four on the Floor.” The Australian magazine 5-6 Dec. 1998: 26-27.
Smith, Jason, ed. Unhomely. Melbourne: Asialink Centre, University of Melbourne, 1998.
Therese, Diane. “Snoopin’ in His Suburb.” Sunday Herald Sun 16 Aug. 1998 [Sunday magazine]: 4.
Timms, Peter. “Tomescu Swaps Intensity for Serenity.” The Age Dec.1998 {issue date unknown; copy
in Arkley archive}.
Usher, Robin. “Suburbia Artist’s National Honor.” The Age 14 Dec. 1998.
Vincent, David. “Ikon’s Home Comforts.” Express & Star [U.K.] 20 June 1998.
Watkins, Jonathan. Every Day: 11th Biennale of Sydney. Sydney: Biennale 1998.
Zepke, Stephen. “Fabricated Rooms: Howard Arkley.” Globe e-journal 8 (1998)
[http://www.arts.monash.edu.au/visarts/globe/issue8/hatxt.html; accessed 14 Sept.2000]
1999
—. “Artist’s Colorful Farewell.” Herald Sun 31 July 1999: 12.
—. The Artful Cello. South Yarra, Melbourne: Chamber Music Competition Inc., 1999.
—. “A City’s Art of the Possible.” Sunday Age 10 Oct. 1999.
—. “Close Call: Australia Squeezes in a Swipe at Suburbia.” CNN Style, 4 June 1999
[http://www.cnn.com/STYLE/9906/04/biennale.advance/; last accessed 8 June 1999]
—. “Critic’s Choice: Erhan Mustafa.” Herald Sun 12 Dec. 1999: 89.
—. “Display Celebrates Art of the Everyday.” Waverley Gazette 25 March 1999.
—. “Farewell ’99.” Sunday Herald Sun 26 Dec. 1999: 8.
—. “Giardini Di Castello Australia – Howard Arkley: The Home Show.” Pag.d’Art (Magazine di
Veneziarte) 1999: 4.
—. “Howard Arkley Dies Aged 48″. ABC RN News 23 July 1999 [http://www.abc.net.au:88/search/...;
last accessed 31 July 1999].
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2002
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Butler, Chris. “Reading the Production of Suburbia in Post-war Australia.” Law Text Culture 9 (1),
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2006
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Gregory, John. Carnival in Suburbia: The Art of Howard Arkley. Cambridge, Melbourne & New York:
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2007
—. “At Home with Arkley.” Sydney Morning Herald 31 March 2007, Business section: 51.
—. “Blurred Lines.” Brisbane News 25 July 2007: 25.
—. “More for the Art-Book Lovers.” Australian Bookseller & Publisher May 2007: 42.
—. “Punking up Suburbia with Some Retro Colour ” MX Brisbane 10 July 2007: 5.
—. “Ten Things.” Rave Magazine 3 July 2007: 7.
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Alexander, George, & others. Howard Arkley: Superb + Solid 1998, Sydney: Art Gallery of New South
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Andrew, Paul. “An Antidote to Melbourne Black.” The Drum Media 20 March 2007.
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Button, James. “Going through the Roof.” The Age 11 Dec. 2007: 16.
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Coslovich, Gabriella. “Hammer-Shy: Big-Name Works Go Begging.” The Age 16 Aug. 2007: 18.
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Crawford, Ashley. “Success for Sellers at Joel’s Auction.” The Age 27 March 2007.
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Lacey, Stephen. “Homes Alone, in a Rare Brush with the Suburbs.” Sydney Morning Herald 4 April
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Source: Arkley works/ John Gregory
