
Butler, a University of Manchester professor at the time, stating that the kernel of The Personal
Heresy was “Don’t attribute superhuman qualities to poetry unless you really believe in a
superhuman subject to support them.”
This theme appears prominently in Jack’s
argumentation, for example, when he says in Chapter V, that “the tendency of my theory is, in
some degree, to lower the status of the poet as poet.”
In a letter of Jan. 14, 1953, Lewis later
wrote to Don Calabria, “The De Imitatione teaches us to ‘Mark what is said, not who said it.’”
By this comment he demonstrated that he held on to this point of view for many years. If the
personal heresy had disappeared by 1940, it has come back in our day which has drunk so deeply
of what Lewis called “the poison of subjectivism.”
More than two decades later, Lewis would
write, “Even today there are those (some of them critics) who believe every novel and even
every lyric to be autobiographical.”
Obviously, the battle was not over, and, in fact, it has
continued to the present day.
Jack’s essay, “The Renaissance and Shakespeare: Imaginary Influences,” which is
otherwise unknown, was delivered in Stratford on August 30. It contained some of the insights
that later appeared in other writings of Lewis, including especially English Literature in the
Sixteenth Century.
When The Times reported on his talk, the Times writer stated that Lewis
said that his title could have been, “How the Renaissance didn’t happen and why Shakespeare
was not affected by it.” Lewis defined the Renaissance as “an imaginary entity responsible for
everything we happen to like in the fifteenth and sixteenth centuries.” He downplayed the role of
the Humanists, claimed that Copernican astronomy was much less different from the Ptolemaic
than supposed, that the discovery of the New World figured less in Elizabethan literature than we
might expect, and that Shakespeare especially owed to Humanism the theatrical code of revenge,
but nothing of real value except his meter.
The essay, “Christianity and Literature,” must have been delivered at least by early 1939,
since it was published with the other essays in Rehabilitations on March 23, 1939. It was
originally delivered before an unnamed religious society in Oxford and may have been addressed
to a Catholic audience, since Lewis cited both Thomas Aquinas and Pope Gregory in the article.
There were many such societies, so there will be many candidates for the location of this
address.
Lewis addressed the question whether Christian literature has any literary qualities
unique to it. Lewis concluded that the answer was no, just as boiling an egg happened in the
same way whether you did it as a Christian or a Pagan. He thought, however, that there was a
Christian approach to literature. Much of modern criticism liked to use the words creative,
spontaneity, and freedom to do its work and express agreement or appreciation, while it applied
the opposite words derivative, convention, and rules to those writings with which they disagreed.
The New Testament approach, Lewis thought, used metaphor, a hierarchical order, and imitation
of God in its theology, reserving originality especially for God Himself. A major difference
between the Christian and the Pagan for Lewis, however, is that the Christian takes literature a
Collected Letters, Vol. II, 443.
C.S. Lewis and E.M.W. Tillyard, The Personal Heresy: A Controversy, Joel D. Heck, editor, Austin, Texas:
Concordia University Press, 2008, 99.
Collected Letters, Vol. III, 280.
The title of an essay by Lewis in Christian Reflections, published in Religion in Life, Summer 1943.
The Discarded Image, 213.
Walter Hooper, Collected Letters, Vol. II, 271, n. 104. See also The Times, September 1, 1939, 8.
Walter Hooper thinks it could have been “The Ark,” a society associated with the Church of St. Mary the Virgin
(Anglican), at which Lewis preached “The Weight of Glory,” or the Catholic Chaplaincy of which Monsignor
Ronald Knox was the chaplain from 1926 to 1939. Email from Walter Hooper to Joel Heck, Aug. 21, 2009.