
reason that a pipe organ like the Casavant is
so “inviting” for singers. Susan Troselius, a
Central member for more than 35 years, says
the instrument is “collaborative
with the congregation; a sort
of living, breathing musical
partner.”
It’s hard to believe, but Central’s
Casavant organ hasn’t always
been there in the sanctuary.
Olsen remembers when “the
organ that was here was a used
theater organ from a theater in
New York City.” In the early
1960s Central decided it was
time for a new organ, one more
suited to the liturgical music of a church
setting. A committee was formed and the
music director and organist at the time, Fred
and Joyce Hilary, toured many dierent
church organs across the country. After
narrowing it down to their favorite three
builders and reviewing proposals from them,
it was decided that Casavant was
the right choice for Central. The
Casavant organ was completed by
Easter Sunday in 1964.
For about 30 years, Olsen was in
charge of caring for the Casavant.
He recalls that in the 1980s he
was given the task of cleaning the
organ, which meant every pipe
came out of the organ for cleaning.
If you’re sitting in the sanctuary,
you can really only see a few of the
pipes. There are about 7,000 pipes
The rst time a person walks into Central’s
sanctuary, they are often impacted by
the size of the space and the stunning
architecture. But when they
sit in the pews and look to the
front of the room, the eect of
the Casavant organ is felt, rst
with the eyes; then, as the
music begins to play, by the
ears, body, and spirit.
Jerry Olsen, who has been a
member at Central for over 60
years, reects on the beloved
Casavant: “I like the sound
of a pipe organ. It is rich
and full, and it can whisper,
and it can roar and everything in between,
depending upon how the organist decides to
use it. Pipe organs I think are a very special
thing, as opposed to electronic. Because I
don’t think with an electronic you can get that
full breath of sound.”
When referencing organs in the article,
Endless Breath? The Pipe Organ and
Immortality, Francis O’Gorman
names that “only one inanimate
object has been through history
habitually described as having
lungs or as being capable of a kind
of mechanical ‘breathing’.”
Mark Kieer, Central’s sound
operator, organ enthusiast, and
history bu, points out that
“the organ is a wind instrument
much like the human voice is a
wind instrument.” This is one
By Brenda
Blackhawk
Bre Cental:
the organ connecting us to God, each other, and community
The
of
Notable organists
who’ve played
Central’s Casavant
• Maurice and Marie-
Madeleine Durué
• E. Power Biggs
• Marie-Claire Alain
• Anton Heiler
Director of Music and
Principal Organist, Isaac
Drewes playing the Casavant.
Central Lutheran Church | page 12