
Mary Martin Booksellers Literature - March 2021 Page 20
Decolonizing Theory: Thinking across Traditions aims at disentangling theory
from its exclusively Western provenance, drawing insights and concepts from
other thought traditions, connecting to what it argues is a new global moment in
the reconstitution of theory. The key argument, which is the point of departure of
the book, is that any serious theorizing in the non-West should be fundamentally
suspicious of any theory that only gives you one result-that four-fifths of the
world does not and cannot do anything right. Everything in the non-West, from
its
modernity and secularism to its democracy and even capitalism, is always seen to
be deficient. In other words, all it tells us is that we do not live up to the
standards set by Western modernity. From this point of departure, it seeks to
create a conceptual space outside (Western) modernity and capitalism, by
insisting on a rethink of non-synchronous synchronicities.
The book takes three key themes around which the whole story of modernity can
be unraveled, namely the question of the political, capital and historical time, and
secularism for a detailed discussion. It does so by bracketing, in a sense, the
autobiographical story that Western modernity gives itself. In each case, it tries
to show that past forms never simply disappear, without residue, to be fully
supplanted by the modern, and merely applying theory produced in one context
to another is, therefore, very misleading.
https://www.marymartin.com/web?pid=754898
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Mandra / S.L. Bhyrappa, Translated by S. Ramaswamy and Smt.L.V.
Shantakumari
Thornbird, An imprint of Niyogi Books, New Delhi. 2020
hb; 688p.; 23cm.
9789381523360
$ 15.00 / HB
950 gm.
Mandra, the Saraswati Samman winner for 2010, is one of the most acclaimed
epic novels of Bhyrappa. It has already been successfully translated into Hindi
and Marathi. Though it takes its theme the classical question of art versus
morality, many more subtler and complex issues haunting human life are
marvelously interwoven. Rooted deeply in the harsh realities of the world the
governing theme evolves like a banyan tree in all directions and picture many
home-truths that are inseparable with art, artist, art tradition, art criticism and
the world of connoisseurs.
Mandra is a musical term which is roughly equivalent to 'lower octave in'
in Western music. Though written in Kannada, the novel is astoundingly native to
the world of Hindustani music predominantly popular in North India.Hence, It is a
beautiful golden bridge that links a North-Indian tune and a south Indian tongue.
Even the sweep of events that happen in the story reflects its global nature while
beautifully focusing upon the local culture. The technique of narration essentially
following a complex and intricate web of stream of consciousness is a metaphor
in itself to the process of development of a raga in Hindustani music.
https://www.marymartin.com/web?pid=754984
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Mandu : The Romance Of Roopmati and Baz Bahadur / Malathi Ramachandran
Oliveturtle, An imprint of Niyogi Books, New Delhi. 2020
pb; 257p.; 22cm
9789389136548
$ 10.00 / null
350 gm.
Set in 16th century India, this novel is inspired by the true story of the young
sultan, Baz Bahadur, and the beautiful peasant girl, Roopmati, who come
together over their common love for classical music. He is a man who can have
any woman, and she a woman too proud to ever be part of his harem. But night
after night, as they sing together in the enchanting world of Mandu, the fortress
city lit up with lanterns and throbbing to the beat of ghungroos and tablas, a
magic begins to happen. Baz and Roopmati fall in love. But, far away, in Agra,
the Mughal Emperor, Akbar, is planning his campaigns and Mandu has been
pinned on his map as a kingdom to be captured. Will Baz be able to protect his
capital, and more importantly, the woman he loves, from the enemy forces?